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5-colour hybrid process print on 260g Rives paper. Hand-numbered on the front. // Vögel reveals Gerhard Richter's capacity to extract the sublime from near-monochromatic restraint. A flock of white birds scatters across a vast black sky above a dark, barely discernible treeline, the spectral forms hovering between figuration and dissolution. The dramatically compressed tonal range intensifies the sense of eerie, nocturnal vastness, while the five-colour hybrid process on heavy Rives paper renders each bird with a ghostly luminosity that seems to emanate from the print surface itself. The composition evokes both Romantic landscape tradition and photographic contingency, embodying Richter's lifelong negotiation between representation and abstraction.
Vögel, 2026
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70 x 100 cm
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Details
Artist
Styles
5-colour hybrid process print on 260g Rives paper. Hand-numbered on the front. // Vögel reveals Gerhard Richter's capacity to extract the sublime from near-monochromatic restraint. A flock of white birds scatters across a vast black sky above a dark, barely discernible treeline, the spectral forms hovering between figuration and dissolution. The dramatically compressed tonal range intensifies the sense of eerie, nocturnal vastness, while the five-colour hybrid process on heavy Rives paper renders each bird with a ghostly luminosity that seems to emanate from the print surface itself. The composition evokes both Romantic landscape tradition and photographic contingency, embodying Richter's lifelong negotiation between representation and abstraction.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
