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5-colour hybrid process print on 260g Rives paper. Hand-numbered on the front. // Vögel reveals Gerhard Richter's capacity to extract the sublime from near-monochromatic restraint. A flock of white birds scatters across a vast black sky above a dark, barely discernible treeline, the spectral forms hovering between figuration and dissolution. The dramatically compressed tonal range intensifies the sense of eerie, nocturnal vastness, while the five-colour hybrid process on heavy Rives paper renders each bird with a ghostly luminosity that seems to emanate from the print surface itself. The composition evokes both Romantic landscape tradition and photographic contingency, embodying Richter's lifelong negotiation between representation and abstraction.
Vögel, 2026
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70 x 100 cm
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Details
Artist
Styles
5-colour hybrid process print on 260g Rives paper. Hand-numbered on the front. // Vögel reveals Gerhard Richter's capacity to extract the sublime from near-monochromatic restraint. A flock of white birds scatters across a vast black sky above a dark, barely discernible treeline, the spectral forms hovering between figuration and dissolution. The dramatically compressed tonal range intensifies the sense of eerie, nocturnal vastness, while the five-colour hybrid process on heavy Rives paper renders each bird with a ghostly luminosity that seems to emanate from the print surface itself. The composition evokes both Romantic landscape tradition and photographic contingency, embodying Richter's lifelong negotiation between representation and abstraction.
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What is Capitalist Realism?
Capitalist Realism is a German form of political pop art that emerged in Cold War-era Berlin in 1963. It sought to challenge the dominance of American pop art in the Western world. The movement blended the ideologies of both pop art and socialist realism, offering a critique of consumer culture and political power.
