Colour offset print on cardboard.
Signed, stamped.
Picture 'Ship' by Gerhard Richter, created in 1972, is a colour offset print on cardboard, measuring 67 × 76 cm, in an edition of 250. The image presents a warship enveloped in a soft, atmospheric blur, a hallmark of Richter’s photo-painting technique. The vessel becomes nearly abstract, its form softened and partially obscured, invoking themes of memory, distortion, and the unreliability of photographic representation. By blurring the boundaries between documentation and interpretation, Richter challenges the viewer’s perception and the authority of images, especially those tied to history or conflict.
Gerhard Richter (Germany, 1932) is a celebrated contemporary artist, blending photorealism, abstraction, and conceptual art. Known for his blurred photo-paintings and vivid abstracts, his works challenge perception and memory. Richter's art features in top institutions, including MoMA and Tate Modern, solidifying his influence on modern visual culture.
Offset PrintOffset lithography is a printing technique where the inked image is first transferred (offset) from a plate to a rubber blanket and then to the printing surface. This method combines the lithographic process, which relies on the repulsion of water and oil, to keep non-printing areas ink-free by attracting a water-based film. Offset lithography was originally developed to reduce costs in reproducing artwork and is widely used for high-volume printing due to its efficiency and ability to produce sharp, consistent images.
Colour offset print on cardboard.
Signed, stamped.
Picture 'Ship' by Gerhard Richter, created in 1972, is a colour offset print on cardboard, measuring 67 × 76 cm, in an edition of 250. The image presents a warship enveloped in a soft, atmospheric blur, a hallmark of Richter’s photo-painting technique. The vessel becomes nearly abstract, its form softened and partially obscured, invoking themes of memory, distortion, and the unreliability of photographic representation. By blurring the boundaries between documentation and interpretation, Richter challenges the viewer’s perception and the authority of images, especially those tied to history or conflict.
Gerhard Richter (Germany, 1932) is a celebrated contemporary artist, blending photorealism, abstraction, and conceptual art. Known for his blurred photo-paintings and vivid abstracts, his works challenge perception and memory. Richter's art features in top institutions, including MoMA and Tate Modern, solidifying his influence on modern visual culture.
Now that we do not have priests and philosophers any more, artists are the most important people in the world.
- Gerhard Richter
Gerhard Richter (b. 1932 Germany) is one of the most influential and versatile contemporary artists, known for his extensive body of work that spans painting, photography, and sculpture. Richter’s work is characterized by its exploration of the relationship between realism and abstraction, often blurring the boundaries between the two. He is renowned for his "photo-paintings," in which he meticulously replicates black-and-white photographs in oil paint, creating a soft-focus effect that questions the nature of reality and perception. Richter has also created a series of abstract paintings known for their vibrant colors and textured surfaces, achieved through a process of layering and scraping away paint. His ability to move seamlessly between styles and mediums, from photorealism to pure abstraction, has made him a key figure in post-war art. Richter’s work has been exhibited in major museums and galleries worldwide, and he is considered one of the greatest living painters, with his works commanding some of the highest prices in the contemporary art market. (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.