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Hybrid print on 260g Rives paper. Stamped on verso. Published by Daco-Verlag. Abstraktes Bild (1992/2023) by Gerhard Richter is a hybrid print on 260g Rives paper, sized 70 × 70?cm and produced in an edition of 500. This work reinterprets a 1992 abstract painting through a contemporary print process, capturing the gestural sweep and color layering characteristic of Richter’s squeegee technique. Vivid streaks of red, yellow, and blue interplay with scraped whites, forming a textured, grid-like composition that blurs the line between spontaneity and control. Published by Daco-Verlag and stamped on the verso, the edition distills Richter’s decades-long engagement with abstraction into a vibrant, tactile surface.
Abstraktes Bild, 1992/2023
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70 x 70 cm
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Details
Artist
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Hybrid print on 260g Rives paper. Stamped on verso. Published by Daco-Verlag. Abstraktes Bild (1992/2023) by Gerhard Richter is a hybrid print on 260g Rives paper, sized 70 × 70?cm and produced in an edition of 500. This work reinterprets a 1992 abstract painting through a contemporary print process, capturing the gestural sweep and color layering characteristic of Richter’s squeegee technique. Vivid streaks of red, yellow, and blue interplay with scraped whites, forming a textured, grid-like composition that blurs the line between spontaneity and control. Published by Daco-Verlag and stamped on the verso, the edition distills Richter’s decades-long engagement with abstraction into a vibrant, tactile surface.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
