Offset lithograph. Based on a watercolor completed on January 18, 1984.
Not signed.
The edition includes 75 copies signed and numbered in pencil, 20 artist’s proofs and 12 unmarked impressions.
Published by Achenbach Art Editions GMBH.
IBM (G.EL.2, 18.1.1984) (1987) by Gerhard Richter is an offset lithograph that exemplifies his interest in abstraction and layered color. Created from an original painting dated 1984, the print is a dense visual field of overlapping hues—vibrant yellows, reds, greens, and purples—forming organic shapes that suggest movement and depth. The work appears both chaotic and composed, characteristic of Richter's explorations of visual perception. Produced in an exceptionally rare edition of only 12, this print holds a notable place within his experimental series of color abstractions.
Gerhard Richter (Germany, 1932) is a celebrated contemporary artist, blending photorealism, abstraction, and conceptual art. Known for his blurred photo-paintings and vivid abstracts, his works challenge perception and memory. Richter's art features in top institutions, including MoMA and Tate Modern, solidifying his influence on modern visual culture.
Offset PrintOffset lithography is a printing technique where the inked image is first transferred (offset) from a plate to a rubber blanket and then to the printing surface. This method combines the lithographic process, which relies on the repulsion of water and oil, to keep non-printing areas ink-free by attracting a water-based film. Offset lithography was originally developed to reduce costs in reproducing artwork and is widely used for high-volume printing due to its efficiency and ability to produce sharp, consistent images.
Size
Inches
Centimeters
50.2 X 57.8 cm
Edition
Edition of 75 + 20 APs + 12
Price
7,000 – 10,000 USD
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●Inventory 16033
●Unsigned
●Comes with gallery invoice and certificate
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Offset lithograph. Based on a watercolor completed on January 18, 1984.
Not signed.
The edition includes 75 copies signed and numbered in pencil, 20 artist’s proofs and 12 unmarked impressions.
Published by Achenbach Art Editions GMBH.
IBM (G.EL.2, 18.1.1984) (1987) by Gerhard Richter is an offset lithograph that exemplifies his interest in abstraction and layered color. Created from an original painting dated 1984, the print is a dense visual field of overlapping hues—vibrant yellows, reds, greens, and purples—forming organic shapes that suggest movement and depth. The work appears both chaotic and composed, characteristic of Richter's explorations of visual perception. Produced in an exceptionally rare edition of only 12, this print holds a notable place within his experimental series of color abstractions.
Gerhard Richter (Germany, 1932) is a celebrated contemporary artist, blending photorealism, abstraction, and conceptual art. Known for his blurred photo-paintings and vivid abstracts, his works challenge perception and memory. Richter's art features in top institutions, including MoMA and Tate Modern, solidifying his influence on modern visual culture.
Now that we do not have priests and philosophers any more, artists are the most important people in the world.
- Gerhard Richter
Gerhard Richter (b. 1932 Germany) is one of the most influential and versatile contemporary artists, known for his extensive body of work that spans painting, photography, and sculpture. Richter’s work is characterized by its exploration of the relationship between realism and abstraction, often blurring the boundaries between the two. He is renowned for his "photo-paintings," in which he meticulously replicates black-and-white photographs in oil paint, creating a soft-focus effect that questions the nature of reality and perception. Richter has also created a series of abstract paintings known for their vibrant colors and textured surfaces, achieved through a process of layering and scraping away paint. His ability to move seamlessly between styles and mediums, from photorealism to pure abstraction, has made him a key figure in post-war art. Richter’s work has been exhibited in major museums and galleries worldwide, and he is considered one of the greatest living painters, with his works commanding some of the highest prices in the contemporary art market. (Artist website)
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.