Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper.
- Not signed
Motorboot by Gerhard Richter is a limited edition offset print, created in 1965 and reproduced in 2022. The artwork captures a blurred, dynamic moment of four figures enjoying a boat ride, rendered in Richter's signature photo-realist style. The figures appear carefree, caught in motion as the boat speeds through the water, creating soft waves in the background. This artwork blends a sense of nostalgia with modern techniques, as the scene is both intimate and abstract, showing how Richter plays with photographic imagery to create emotional resonance.
Gerhard Richter (Germany, 1932) is a celebrated contemporary artist, blending photorealism, abstraction, and conceptual art. Known for his blurred photo-paintings and vivid abstracts, his works challenge perception and memory. Richter's art features in top institutions, including MoMA and Tate Modern, solidifying his influence on modern visual culture.
Offset PrintOffset lithography is a printing technique where the inked image is first transferred (offset) from a plate to a rubber blanket and then to the printing surface. This method combines the lithographic process, which relies on the repulsion of water and oil, to keep non-printing areas ink-free by attracting a water-based film. Offset lithography was originally developed to reduce costs in reproducing artwork and is widely used for high-volume printing due to its efficiency and ability to produce sharp, consistent images.
Hybrid raster dissolved offset/digital high quality art print on Rives 260 gsm paper.
- Not signed
Motorboot by Gerhard Richter is a limited edition offset print, created in 1965 and reproduced in 2022. The artwork captures a blurred, dynamic moment of four figures enjoying a boat ride, rendered in Richter's signature photo-realist style. The figures appear carefree, caught in motion as the boat speeds through the water, creating soft waves in the background. This artwork blends a sense of nostalgia with modern techniques, as the scene is both intimate and abstract, showing how Richter plays with photographic imagery to create emotional resonance.
Gerhard Richter (Germany, 1932) is a celebrated contemporary artist, blending photorealism, abstraction, and conceptual art. Known for his blurred photo-paintings and vivid abstracts, his works challenge perception and memory. Richter's art features in top institutions, including MoMA and Tate Modern, solidifying his influence on modern visual culture.
Now that we do not have priests and philosophers any more, artists are the most important people in the world.
- Gerhard Richter
Gerhard Richter (b. 1932 Germany) is one of the most influential and versatile contemporary artists, known for his extensive body of work that spans painting, photography, and sculpture. Richter’s work is characterized by its exploration of the relationship between realism and abstraction, often blurring the boundaries between the two. He is renowned for his "photo-paintings," in which he meticulously replicates black-and-white photographs in oil paint, creating a soft-focus effect that questions the nature of reality and perception. Richter has also created a series of abstract paintings known for their vibrant colors and textured surfaces, achieved through a process of layering and scraping away paint. His ability to move seamlessly between styles and mediums, from photorealism to pure abstraction, has made him a key figure in post-war art. Richter’s work has been exhibited in major museums and galleries worldwide, and he is considered one of the greatest living painters, with his works commanding some of the highest prices in the contemporary art market. (Artist website)
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.