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// Violin by Arman Fernandez, created in 1999, is a bronze sculpture that embodies the artist's fascination with deconstructed musical instruments. This piece features a violin that has been disassembled and reconfigured, with its various parts rearranged in a dynamic and expressive manner. The fragmented yet cohesive composition showcases the instrument's individual components, such as the scrolls, body, and strings, all creatively intertwined to evoke movement and energy. Arman’s work often explores themes of transformation and destruction, and this sculpture, marked as one of 2 HC (Hors Commerce) editions, highlights his innovative approach to reimagining familiar objects within a sculptural context.
Violin, 1999
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36 x 50 X 24 cm
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Details
Artist
Styles
// Violin by Arman Fernandez, created in 1999, is a bronze sculpture that embodies the artist's fascination with deconstructed musical instruments. This piece features a violin that has been disassembled and reconfigured, with its various parts rearranged in a dynamic and expressive manner. The fragmented yet cohesive composition showcases the instrument's individual components, such as the scrolls, body, and strings, all creatively intertwined to evoke movement and energy. Arman’s work often explores themes of transformation and destruction, and this sculpture, marked as one of 2 HC (Hors Commerce) editions, highlights his innovative approach to reimagining familiar objects within a sculptural context.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
