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Bronze sculpture, signed and numbered by the artist // Candélabre africain by Arman Fernandez, created in 2003, is a sculptural piece in bronze that takes the form of an abstracted, organic candelabrum. With curving branches and leaf-like structures, the piece suggests both natural forms and traditional African aesthetics, merging cultural references with Arman’s unique approach to form and material. The smooth, polished surfaces of the bronze give the piece a luxurious sheen, enhancing its presence as a functional yet artistic object. Measuring 44 x 36 x 20 cm, this limited edition of 99 sculptures is signed and numbered by the artist, exemplifying Arman’s exploration of everyday objects transformed into art with expressive, dynamic forms.
Candélabre africain, 2003
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44 x 36 X 20 cm
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Details
Artist
Styles
Bronze sculpture, signed and numbered by the artist // Candélabre africain by Arman Fernandez, created in 2003, is a sculptural piece in bronze that takes the form of an abstracted, organic candelabrum. With curving branches and leaf-like structures, the piece suggests both natural forms and traditional African aesthetics, merging cultural references with Arman’s unique approach to form and material. The smooth, polished surfaces of the bronze give the piece a luxurious sheen, enhancing its presence as a functional yet artistic object. Measuring 44 x 36 x 20 cm, this limited edition of 99 sculptures is signed and numbered by the artist, exemplifying Arman’s exploration of everyday objects transformed into art with expressive, dynamic forms.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.