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Archival pigment inks on Crane Museo Max 365 gsm paper // Yellow Flags 3 by Alex Katz is a limited edition archival print from 2020, produced using pigment inks on Crane Museo Max 365 gsm paper. This artwork, limited to an edition of 150, measures 33 cm by 22 cm. The print captures the elegance of yellow flag iris flowers against a bold pink background. Katz’s use of vibrant, contrasting colors highlights his signature minimalist approach, emphasizing the simple yet striking forms of the flowers and their long, slender leaves. The juxtaposition of the bright yellow petals against the pink backdrop creates a lively, fresh, and modern feel, characteristic of Katz's refined and bold visual style.
Yellow Flags 3, 2020
form
Medium
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83.8 x 55.9 cm
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Details
Artist
Styles
Archival pigment inks on Crane Museo Max 365 gsm paper // Yellow Flags 3 by Alex Katz is a limited edition archival print from 2020, produced using pigment inks on Crane Museo Max 365 gsm paper. This artwork, limited to an edition of 150, measures 33 cm by 22 cm. The print captures the elegance of yellow flag iris flowers against a bold pink background. Katz’s use of vibrant, contrasting colors highlights his signature minimalist approach, emphasizing the simple yet striking forms of the flowers and their long, slender leaves. The juxtaposition of the bright yellow petals against the pink backdrop creates a lively, fresh, and modern feel, characteristic of Katz's refined and bold visual style.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.