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Screenprint in twenty-six colors // Alex Katz's White Impatiens (2016) is a limited edition screen-print featuring vibrant pink and white impatiens flowers against a deep black background. The work, printed using twenty-six colors, captures the dynamic and minimalist style characteristic of Katz. The flowers appear to be scattered, with some petals detached, giving a sense of movement as if caught in a gentle breeze. The contrast between the bright blooms and the dark background creates a striking visual effect, highlighting the simplicity and elegance of nature in Katz's iconic flat and bold aesthetic. The piece is a celebration of form and color, emphasizing the beauty found in everyday botanical subjects.
White Impatiens, 2016
form
Medium
Size
178.5 x 143 cm
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Range
- USD
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Details
Artist
Styles
Screenprint in twenty-six colors // Alex Katz's White Impatiens (2016) is a limited edition screen-print featuring vibrant pink and white impatiens flowers against a deep black background. The work, printed using twenty-six colors, captures the dynamic and minimalist style characteristic of Katz. The flowers appear to be scattered, with some petals detached, giving a sense of movement as if caught in a gentle breeze. The contrast between the bright blooms and the dark background creates a striking visual effect, highlighting the simplicity and elegance of nature in Katz's iconic flat and bold aesthetic. The piece is a celebration of form and color, emphasizing the beauty found in everyday botanical subjects.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.