
Details
Artist
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Archival pigment print -Signed in pencil, and numbered // Vivien with Hat by Alex Katz is a limited edition archival pigment print from 2021. Known for his minimalist portraiture, Katz captures the elegance of a woman named Vivien, depicted in profile against a vibrant blue background. Her face is partially obscured by a wide-brimmed hat, which, along with her striking red lips, creates a sense of mystery and timeless style. The clean lines and soft color palette emphasize Katz's modernist approach, while the flat areas of color and smooth shading highlight his distinct, graphic style. This print, signed and numbered by the artist, reflects Katz's mastery in portraying refined simplicity and subtle emotion.
Vivien with Hat, 2021
form
Medium
Size
91.4 x 121.9 cm
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- Centimeters
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Details
Artist
Styles
Archival pigment print -Signed in pencil, and numbered // Vivien with Hat by Alex Katz is a limited edition archival pigment print from 2021. Known for his minimalist portraiture, Katz captures the elegance of a woman named Vivien, depicted in profile against a vibrant blue background. Her face is partially obscured by a wide-brimmed hat, which, along with her striking red lips, creates a sense of mystery and timeless style. The clean lines and soft color palette emphasize Katz's modernist approach, while the flat areas of color and smooth shading highlight his distinct, graphic style. This print, signed and numbered by the artist, reflects Katz's mastery in portraying refined simplicity and subtle emotion.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.