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Screenprint in twelve colors on Arches paper - Hand-signed by artist // Alex Katz’s Susan (1976) is a twelve-color screen-print on Arches paper, highlighting his minimalist portraiture style. The piece captures a profile view of Susan, characterized by her distinct hairstyle and serene expression. Katz’s use of muted tones and flat colors emphasizes simplicity, while the delicate contours of the figure showcase his skill in reducing forms to their most essential elements. The subtle shading and the soft background create a sense of intimacy and timeless elegance. Katz’s signature approach, focusing on clean lines and an understated palette, is evident in this portrait, making it a refined and graceful depiction.
Susan, 1976
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66 x 50 cm
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Details
Artist
Styles
Screenprint in twelve colors on Arches paper - Hand-signed by artist // Alex Katz’s Susan (1976) is a twelve-color screen-print on Arches paper, highlighting his minimalist portraiture style. The piece captures a profile view of Susan, characterized by her distinct hairstyle and serene expression. Katz’s use of muted tones and flat colors emphasizes simplicity, while the delicate contours of the figure showcase his skill in reducing forms to their most essential elements. The subtle shading and the soft background create a sense of intimacy and timeless elegance. Katz’s signature approach, focusing on clean lines and an understated palette, is evident in this portrait, making it a refined and graceful depiction.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
