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Styles
Screenprint in colors on Arches pape - Published by Styria Studio Inc - Hand Signed and Numbered in pencil - Schroder 165 // Alex Katz's Julia and Alexandra is a screen print created in 1983, published by Styria Studio Inc. This artwork portrays two women, rendered in Katz's iconic flat, stylized manner that emphasizes simplicity and elegance. The figures are shown side by side, with one looking directly at the viewer and the other glancing away, creating a sense of quiet interaction. The soft pastel tones and minimalist approach strip the subjects of excessive detail, focusing instead on the contours and subtle expressions. The print captures the essence of the subjects with a modern, almost cinematic feel, highlighting Katz’s mastery in depicting human presence and relationships through refined simplicity.
Julia and Alexandra, 1983
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94 x 188 cm
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Details
Artist
Styles
Screenprint in colors on Arches pape - Published by Styria Studio Inc - Hand Signed and Numbered in pencil - Schroder 165 // Alex Katz's Julia and Alexandra is a screen print created in 1983, published by Styria Studio Inc. This artwork portrays two women, rendered in Katz's iconic flat, stylized manner that emphasizes simplicity and elegance. The figures are shown side by side, with one looking directly at the viewer and the other glancing away, creating a sense of quiet interaction. The soft pastel tones and minimalist approach strip the subjects of excessive detail, focusing instead on the contours and subtle expressions. The print captures the essence of the subjects with a modern, almost cinematic feel, highlighting Katz’s mastery in depicting human presence and relationships through refined simplicity.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
