Details
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Screenprint in colors - Signed and numbered // Alex Katz’s Gray Dress (1992) is a screenprint that captures the artist’s signature minimalist style and focus on portraiture. The print depicts a woman with short dark hair, standing confidently with one hand on her hip. Her expression is calm, with piercing blue eyes that engage the viewer directly. She wears a dark dress adorned with colorful, abstract strokes that add a touch of vibrancy to the otherwise subdued palette. Katz’s clean lines and flat areas of color emphasize the simplicity of form, a hallmark of his work that celebrates modern elegance and subtle emotion. This limited edition screenprint, signed and numbered by the artist, exemplifies Katz’s ability to create portraits that are both timeless and contemporary.
Gray Dress, 1992
form
Medium
Size
91 x 71 cm
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- Centimeters
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Price
Details
Artist
Styles
Screenprint in colors - Signed and numbered // Alex Katz’s Gray Dress (1992) is a screenprint that captures the artist’s signature minimalist style and focus on portraiture. The print depicts a woman with short dark hair, standing confidently with one hand on her hip. Her expression is calm, with piercing blue eyes that engage the viewer directly. She wears a dark dress adorned with colorful, abstract strokes that add a touch of vibrancy to the otherwise subdued palette. Katz’s clean lines and flat areas of color emphasize the simplicity of form, a hallmark of his work that celebrates modern elegance and subtle emotion. This limited edition screenprint, signed and numbered by the artist, exemplifies Katz’s ability to create portraits that are both timeless and contemporary.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
