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27-colors silkscreen on Saunders Waterford 425 gsm paper // Chance 2 (Vivien) by Alex Katz, created in 2016, is a large-scale 27-color silkscreen on Saunders Waterford 425 gsm paper. Measuring 70 x 46 inches and produced in a limited edition of 50, this work epitomizes Katz's mastery of minimalism and flat colors. The composition features a woman in a retro-styled black swimsuit and patterned swimming cap, holding a beach ball aloft. The soft tones and clean lines create an atmosphere of timeless elegance and leisure. The work reflects Katz’s iconic ability to simplify forms while maintaining emotional resonance, celebrating modern portraiture and contemporary aesthetics.
Chance 2 (Vivien), 2016
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177.8 x 116.8 cm
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Details
Artist
Styles
27-colors silkscreen on Saunders Waterford 425 gsm paper // Chance 2 (Vivien) by Alex Katz, created in 2016, is a large-scale 27-color silkscreen on Saunders Waterford 425 gsm paper. Measuring 70 x 46 inches and produced in a limited edition of 50, this work epitomizes Katz's mastery of minimalism and flat colors. The composition features a woman in a retro-styled black swimsuit and patterned swimming cap, holding a beach ball aloft. The soft tones and clean lines create an atmosphere of timeless elegance and leisure. The work reflects Katz’s iconic ability to simplify forms while maintaining emotional resonance, celebrating modern portraiture and contemporary aesthetics.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.