
What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.
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Artworks Related to Light and Space
Pedro Cabrita Reis
E as estrelas do céu cairam na terra....I, 1996
Limited Edition Print
Aquatint
EUR 4,200
Pedro Cabrita Reis
E as estrelas do céu cairam na terra....IV, 1996
Limited Edition Print
Aquatint
EUR 4,200
Pedro Cabrita Reis
E as estrelas do céu cairam na terra....III, 1996
Limited Edition Print
Aquatint
EUR 4,200
Pedro Cabrita Reis
E as estrelas do céu cairam na terra....II, 1996
Limited Edition Print
Aquatint
EUR 4,200
Lucio Fontana
Untitled from The International Avant-Garde (volume I), 1962
Limited Edition Print
Mixed Media
USD 8,150

A photograph is an image captured with a camera. Traditionally, photographs were made by exposing film and then developing the image on light-sensitive paper using chemicals. Today, photographs can also be captured digitally and printed or displayed electronically. The process requires a camera, whether film or digital, and a photographer.

Readymade is the term coined by French artist Marcel Duchamp to describe artworks created from manufactured objects. Duchamp selected ordinary, functional items that he felt had visual indifference, turning them into art simply by choosing and presenting them in a new context. This concept challenged traditional notions of art and continues to influence artists who adopt similar approaches today.

Woodcut is a printing technique where an image is carved into the surface of a woodblock using gouges, with the remaining flat surface holding the ink for printing. The areas cut away by the artist do not carry ink, while the uncut areas do, producing the desired print. The carving follows the wood's grain, unlike wood engraving, where the block is cut across the end-grain. Ink is applied to the surface with a roller, ensuring only the flat, uncarved areas receive ink, leaving the recessed, non-printing areas clean.
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