Details
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Hand-signed and numbered. I. 14.5 × 11.1 cm (5¾ × 4? in.) S. 26.2 × 19.0 cm (10? × 7½ in.) Published by Galleria Schwartz, Milano. // Lucio Fontana's Untitled from The International Avant-Garde, volume I (1962) belongs to a landmark collaborative publication that brought together some of the most radical voices in postwar art. Fontana's contribution distils the essence of Spatialism -- the movement he founded -- into a single graphic act: marks, perforations, or gestures that interrogate the surface as simultaneously material and concept. Published by Galleria Schwartz in Milan, this edition situates Fontana's practice at the centre of the international avant-garde network of its time. Hand-signed and numbered, it represents both an intimate expression of his artistic philosophy and a collector's document of a pivotal moment in European modernism -- a moment when art began to understand the canvas not as a surface to be painted, but as a space to be opened.
Untitled from The International Avant-Garde (volume I), 1962
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26 x 19 cm
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Details
Artist
Styles
Hand-signed and numbered. I. 14.5 × 11.1 cm (5¾ × 4? in.) S. 26.2 × 19.0 cm (10? × 7½ in.) Published by Galleria Schwartz, Milano. // Lucio Fontana's Untitled from The International Avant-Garde, volume I (1962) belongs to a landmark collaborative publication that brought together some of the most radical voices in postwar art. Fontana's contribution distils the essence of Spatialism -- the movement he founded -- into a single graphic act: marks, perforations, or gestures that interrogate the surface as simultaneously material and concept. Published by Galleria Schwartz in Milan, this edition situates Fontana's practice at the centre of the international avant-garde network of its time. Hand-signed and numbered, it represents both an intimate expression of his artistic philosophy and a collector's document of a pivotal moment in European modernism -- a moment when art began to understand the canvas not as a surface to be painted, but as a space to be opened.
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Lucio Fontana
Untitled From The International Avant-Garde (volume I), 1962
Limited Edition Print
Mixed Media
USD 8,150
What is concrete art?
Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.
