Details
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Hand-signed and numbered. I. 14.5 × 11.1 cm (5¾ × 4? in.) S. 26.2 × 19.0 cm (10? × 7½ in.) Published by Galleria Schwartz, Milano. // Lucio Fontana's Untitled from The International Avant-Garde, volume I (1962) belongs to a landmark collaborative publication that brought together some of the most radical voices in postwar art. Fontana's contribution distils the essence of Spatialism -- the movement he founded -- into a single graphic act: marks, perforations, or gestures that interrogate the surface as simultaneously material and concept. Published by Galleria Schwartz in Milan, this edition situates Fontana's practice at the centre of the international avant-garde network of its time. Hand-signed and numbered, it represents both an intimate expression of his artistic philosophy and a collector's document of a pivotal moment in European modernism -- a moment when art began to understand the canvas not as a surface to be painted, but as a space to be opened.
Untitled from The International Avant-Garde (volume I), 1962
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26 x 19 cm
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Details
Artist
Styles
Hand-signed and numbered. I. 14.5 × 11.1 cm (5¾ × 4? in.) S. 26.2 × 19.0 cm (10? × 7½ in.) Published by Galleria Schwartz, Milano. // Lucio Fontana's Untitled from The International Avant-Garde, volume I (1962) belongs to a landmark collaborative publication that brought together some of the most radical voices in postwar art. Fontana's contribution distils the essence of Spatialism -- the movement he founded -- into a single graphic act: marks, perforations, or gestures that interrogate the surface as simultaneously material and concept. Published by Galleria Schwartz in Milan, this edition situates Fontana's practice at the centre of the international avant-garde network of its time. Hand-signed and numbered, it represents both an intimate expression of his artistic philosophy and a collector's document of a pivotal moment in European modernism -- a moment when art began to understand the canvas not as a surface to be painted, but as a space to be opened.
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Lucio Fontana
Untitled From The International Avant-Garde (volume I), 1962
Limited Edition Print
Mixed Media
USD 8,150
What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.
