Sam Francis

Untitled, 1984

106.7 X 73 inch

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Portrait D'antonin Artaud

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Nudo rosa

Lucio Fontana Untitled International Avant-Garde 1962 mixed media abstract gestural marks

Hand-signed and numbered. I. 14.5 × 11.1 cm (5¾ × 4? in.) S. 26.2 × 19.0 cm (10? × 7½ in.) Published by Galleria Schwartz, Milano. // Lucio Fontana's Untitled from The International Avant-Garde, volume I (1962) belongs to a landmark collaborative publication that brought together some of the most radical voices in postwar art. Fontana's contribution distils the essence of Spatialism -- the movement he founded -- into a single graphic act: marks, perforations, or gestures that interrogate the surface as simultaneously material and concept. Published by Galleria Schwartz in Milan, this edition situates Fontana's practice at the centre of the international avant-garde network of its time. Hand-signed and numbered, it represents both an intimate expression of his artistic philosophy and a collector's document of a pivotal moment in European modernism -- a moment when art began to understand the canvas not as a surface to be painted, but as a space to be opened.

Artwork Copyright © Lucio Fontana

Untitled from The International Avant-Garde (volume I), 1962

form

Medium

Edition

Hand-signed and numbered. I. 14.5 × 11.1 cm (5¾ × 4? in.) S. 26.2 × 19.0 cm (10? × 7½ in.) Published by Galleria Schwartz, Milano. // Lucio Fontana's Untitled from The International Avant-Garde, volume I (1962) belongs to a landmark collaborative publication that brought together some of the most radical voices in postwar art. Fontana's contribution distils the essence of Spatialism -- the movement he founded -- into a single graphic act: marks, perforations, or gestures that interrogate the surface as simultaneously material and concept. Published by Galleria Schwartz in Milan, this edition situates Fontana's practice at the centre of the international avant-garde network of its time. Hand-signed and numbered, it represents both an intimate expression of his artistic philosophy and a collector's document of a pivotal moment in European modernism -- a moment when art began to understand the canvas not as a surface to be painted, but as a space to be opened.

Artwork Copyright © Lucio Fontana

Lucio Fontana

Untitled From The International Avant-Garde (volume I), 1962

Limited Edition Print

Mixed Media

USD 8,150

Lucio Fontana

Nudo Rosa, 1967

Limited Edition Print

Mixed Media

USD 10,500

Lucio Fontana

Concetto Spaziale, 1975

Limited Edition Print

Lithograph

Currently Not Available

Lucio Fontana

Portrait D'antonin Artaud, 1968

Sculpture / Object

Mixed Media

Currently Not Available

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What is concrete art?

Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.

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