Sam Francis

Untitled, 1984

106.7 X 73 inch

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Portrait D'antonin Artaud

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Nudo rosa

Lucio Fontana Untitled International Avant-Garde 1962 mixed media abstract gestural marks

Hand-signed and numbered. I. 14.5 × 11.1 cm (5¾ × 4? in.) S. 26.2 × 19.0 cm (10? × 7½ in.) Published by Galleria Schwartz, Milano. // Lucio Fontana's Untitled from The International Avant-Garde, volume I (1962) belongs to a landmark collaborative publication that brought together some of the most radical voices in postwar art. Fontana's contribution distils the essence of Spatialism -- the movement he founded -- into a single graphic act: marks, perforations, or gestures that interrogate the surface as simultaneously material and concept. Published by Galleria Schwartz in Milan, this edition situates Fontana's practice at the centre of the international avant-garde network of its time. Hand-signed and numbered, it represents both an intimate expression of his artistic philosophy and a collector's document of a pivotal moment in European modernism -- a moment when art began to understand the canvas not as a surface to be painted, but as a space to be opened.

Artwork Copyright © Lucio Fontana

Untitled from The International Avant-Garde (volume I), 1962

form

Medium

Edition

Hand-signed and numbered. I. 14.5 × 11.1 cm (5¾ × 4? in.) S. 26.2 × 19.0 cm (10? × 7½ in.) Published by Galleria Schwartz, Milano. // Lucio Fontana's Untitled from The International Avant-Garde, volume I (1962) belongs to a landmark collaborative publication that brought together some of the most radical voices in postwar art. Fontana's contribution distils the essence of Spatialism -- the movement he founded -- into a single graphic act: marks, perforations, or gestures that interrogate the surface as simultaneously material and concept. Published by Galleria Schwartz in Milan, this edition situates Fontana's practice at the centre of the international avant-garde network of its time. Hand-signed and numbered, it represents both an intimate expression of his artistic philosophy and a collector's document of a pivotal moment in European modernism -- a moment when art began to understand the canvas not as a surface to be painted, but as a space to be opened.

Artwork Copyright © Lucio Fontana

Lucio Fontana

Untitled From The International Avant-Garde (volume I), 1962

Limited Edition Print

Mixed Media

USD 8,150

Lucio Fontana

Nudo Rosa, 1967

Limited Edition Print

Mixed Media

USD 10,500

Lucio Fontana

Concetto Spaziale, 1975

Limited Edition Print

Lithograph

Currently Not Available

Lucio Fontana

Portrait D'antonin Artaud, 1968

Sculpture / Object

Mixed Media

Currently Not Available

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What is Spatialism?

Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.

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