Angela Bulloch

Original Signed Artworks & Limited Edition Prints For Sale

Angela Bulloch is a multi-faceted, pattern-focussed artist with work spanning across several different media forms – painting, sculpture, video, audio and installation.

Abracaderesalubra

Sculpture / Object - Mixed Media

Currently Not Available

Bulloch's earliest works included an innovative, minimalist ‘Drawing Machines‘ concept, in which a machine is set up to draw lines along the wall of the gallery in response to external stimulus – this could include the noise of visitors within the gallery, or the smallest sounds of visitors sitting and standing at the benches situated around the work. Asides from this engagement with sound, Bulloch is also recognized for her ‘pixel boxes’, a series of compilations primarily made up of beech wood, aluminium or copper, fronted with a soft plastic and presented with a multitude of changing colours and patterns – Aluminium 4 is one of her most notable works of this vein, for which she created an algorithm whereby 16 million different colour permutations are possible.

Canada / female artist / Young British Artists (YBAs) / Light and Space / Feminist art / Generative Art / Conceptual art / Abstract art / Sound Art / Digital Art

ARTWORKS BY Angela Bulloch

Angela Bulloch

Abracaderesalubra, 2007

Sculpture / Object

Mixed Media

Currently Not Available

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The Picture Perfect Loops And Wheels of Performance Art

previously listed

Night Sky, 2008

Sculpture / Object

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Artwork by Wade Guyton

What is Digital Art?

An artistic practice or work that makes use of digital technology as a fundamental part of the creation and presentation process. Several different names have been used since 1970s to describe this process including multimedia and computer art. The digital art in itself is included in the large art umbrella called "the new media art" that has brought changes to the art industry. In fact, technology has completely transformed painting, drawing, sound/music and sculpture art into new digital forms.

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