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Engraving and aquatint, printed in pink. Hand signed lower right, Published by 2RC Edizioni d'Arte, Rome. // Nudo rosa (1967) is one of Lucio Fontana's most distinctive graphic works, executed in engraving and aquatint and printed in a saturated, luminous pink. The image presents a figure in dissolution: line and tone merge into a shimmering chromatic field that simultaneously defines and dismantles form. Published by 2RC Edizioni d'Arte in Rome, the print reflects Fontana's late engagement with the figure, now filtered through the spatial and chromatic investigations that defined his Spatialist practice. The choice of pink is deliberate and unsettling -- warmly sensual yet formally abrasive, it challenges conventions of both figurative and abstract printmaking. Hand signed lower right, Nudo rosa is a rare and significant work in which Fontana operates at the precise intersection of the body and pure colour.
Nudo rosa, 1967
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63 x 47 cm
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Details
Artist
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Engraving and aquatint, printed in pink. Hand signed lower right, Published by 2RC Edizioni d'Arte, Rome. // Nudo rosa (1967) is one of Lucio Fontana's most distinctive graphic works, executed in engraving and aquatint and printed in a saturated, luminous pink. The image presents a figure in dissolution: line and tone merge into a shimmering chromatic field that simultaneously defines and dismantles form. Published by 2RC Edizioni d'Arte in Rome, the print reflects Fontana's late engagement with the figure, now filtered through the spatial and chromatic investigations that defined his Spatialist practice. The choice of pink is deliberate and unsettling -- warmly sensual yet formally abrasive, it challenges conventions of both figurative and abstract printmaking. Hand signed lower right, Nudo rosa is a rare and significant work in which Fontana operates at the precise intersection of the body and pure colour.
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Lucio Fontana
Untitled From The International Avant-Garde (volume I), 1962
Limited Edition Print
Mixed Media
USD 8,150
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
