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Engraving and aquatint, printed in pink. Hand signed lower right, Published by 2RC Edizioni d'Arte, Rome. // Nudo rosa (1967) is one of Lucio Fontana's most distinctive graphic works, executed in engraving and aquatint and printed in a saturated, luminous pink. The image presents a figure in dissolution: line and tone merge into a shimmering chromatic field that simultaneously defines and dismantles form. Published by 2RC Edizioni d'Arte in Rome, the print reflects Fontana's late engagement with the figure, now filtered through the spatial and chromatic investigations that defined his Spatialist practice. The choice of pink is deliberate and unsettling -- warmly sensual yet formally abrasive, it challenges conventions of both figurative and abstract printmaking. Hand signed lower right, Nudo rosa is a rare and significant work in which Fontana operates at the precise intersection of the body and pure colour.
Nudo rosa, 1967
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63 x 47 cm
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Details
Artist
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Engraving and aquatint, printed in pink. Hand signed lower right, Published by 2RC Edizioni d'Arte, Rome. // Nudo rosa (1967) is one of Lucio Fontana's most distinctive graphic works, executed in engraving and aquatint and printed in a saturated, luminous pink. The image presents a figure in dissolution: line and tone merge into a shimmering chromatic field that simultaneously defines and dismantles form. Published by 2RC Edizioni d'Arte in Rome, the print reflects Fontana's late engagement with the figure, now filtered through the spatial and chromatic investigations that defined his Spatialist practice. The choice of pink is deliberate and unsettling -- warmly sensual yet formally abrasive, it challenges conventions of both figurative and abstract printmaking. Hand signed lower right, Nudo rosa is a rare and significant work in which Fontana operates at the precise intersection of the body and pure colour.
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Lucio Fontana
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Limited Edition Print
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What is Spatialism?
Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.
