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Stamped and signed on the reverse, also bearing the estate stamp and inscribed "SF82-263" in another hand. Registered in the archive of the Sam Francis Foundation, Glendale, USA for the online Catalogue Raisonné Project under number SF82-263. // This untitled acrylic on paper from 1982 demonstrates Sam Francis at the height of his mature period, presenting a densely saturated all-over composition of reds, blues, teals, greens, and blacks. The explosive arrangement of splatters and poured pigment fills the picture plane with characteristic chromatic intensity, leaving minimal white ground visible. Registered with the Sam Francis Foundation under SF82-263, the work reflects Francis's ongoing dialogue with Abstract Expressionism and Color Field painting, channeling the luminous energy and gestural freedom that defined his contribution to postwar American abstraction.
Untitled (SF82-263), 1982
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35.5 x 49.5 cm
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Details
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Stamped and signed on the reverse, also bearing the estate stamp and inscribed "SF82-263" in another hand. Registered in the archive of the Sam Francis Foundation, Glendale, USA for the online Catalogue Raisonné Project under number SF82-263. // This untitled acrylic on paper from 1982 demonstrates Sam Francis at the height of his mature period, presenting a densely saturated all-over composition of reds, blues, teals, greens, and blacks. The explosive arrangement of splatters and poured pigment fills the picture plane with characteristic chromatic intensity, leaving minimal white ground visible. Registered with the Sam Francis Foundation under SF82-263, the work reflects Francis's ongoing dialogue with Abstract Expressionism and Color Field painting, channeling the luminous energy and gestural freedom that defined his contribution to postwar American abstraction.
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Sam Francis
Untitled (from The Fresh Air School Portfolio), 1972
Limited Edition Print
Lithograph
EUR 1,850
What is ‘light and space’?
The Light and Space Movement refers to loosely affiliated art movements connected to minimalism, geometric abstraction, and op art that originated in Southern California in the 1960s. Greatly influenced by artist John McLaughlin, these artists focused on sensory phenomena such as light, perception, and space as central elements of their work. They also incorporated cutting-edge technologies from the aerospace and engineering industries to develop light-filled and sensuous objects, creating immersive experiences that emphasize the viewer's perception.
