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Reference: SF 349 - Color Lithograph on Rives BFK paper // Untitled from the Papierski Portfolio by Sam Francis, created in 1992, is a vibrant color lithograph on Rives BFK paper, measuring 76 x 56 cm. This limited edition print, part of a series of 50 plus artist proofs, showcases Francis's signature abstract expressionist style with dynamic splatters and bold strokes of color. The composition is alive with layers of deep purples, greens, blues, and yellows, creating a sense of controlled chaos. The overlapping and intermingling colors form a textured field that draws the viewer into an immersive experience, where color and form collide in spontaneous harmony. Known for his exploration of color and movement, Francis’s work here evokes both energy and depth, making it a quintessential example of his later abstract works.
Untitled from the Papierski Portfolio, 1992
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76 x 56 cm
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Details
Artist
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Reference: SF 349 - Color Lithograph on Rives BFK paper // Untitled from the Papierski Portfolio by Sam Francis, created in 1992, is a vibrant color lithograph on Rives BFK paper, measuring 76 x 56 cm. This limited edition print, part of a series of 50 plus artist proofs, showcases Francis's signature abstract expressionist style with dynamic splatters and bold strokes of color. The composition is alive with layers of deep purples, greens, blues, and yellows, creating a sense of controlled chaos. The overlapping and intermingling colors form a textured field that draws the viewer into an immersive experience, where color and form collide in spontaneous harmony. Known for his exploration of color and movement, Francis’s work here evokes both energy and depth, making it a quintessential example of his later abstract works.
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Sam Francis
Untitled (from The Fresh Air School Portfolio), 1972
Limited Edition Print
Lithograph
EUR 1,850
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
