Original etching and aquatint. Hand-signed and numbered.
This striking etching and aquatint by Sam Francis presents a luminous white organic form floating against a deep grey-brown ground, with dramatic black splatters and gestural marks radiating from a dense central mass. The work exemplifies Francis's characteristic dialogue between open white space and explosive gestural energy — his hallmark contribution to lyrical Abstract Expressionism. Printed with exceptional tonal range, the aquatint passages create atmospheric depth while the etched lines add calligraphic precision. A powerful and rare intaglio work from the California master's mature period.
Sam Francis (USA, 1923–1994) was an influential abstract painter known for his vibrant, color-drenched canvases. Associated with Abstract Expressionism and Lyrical Abstraction, his work often featured dynamic splashes and drips, exploring light, space, and movement with a global artistic perspective.
Etching and AquatintEtching and aquatint are printmaking techniques. In aquatint, the printing plate is etched with a pattern of tiny pits and cracks to create a wide range of tonal gradations. This technique allows artists to replicate the broad, flat tones found in watercolor paintings and ink washes.
Original etching and aquatint. Hand-signed and numbered.
This striking etching and aquatint by Sam Francis presents a luminous white organic form floating against a deep grey-brown ground, with dramatic black splatters and gestural marks radiating from a dense central mass. The work exemplifies Francis's characteristic dialogue between open white space and explosive gestural energy — his hallmark contribution to lyrical Abstract Expressionism. Printed with exceptional tonal range, the aquatint passages create atmospheric depth while the etched lines add calligraphic precision. A powerful and rare intaglio work from the California master's mature period.
Sam Francis (USA, 1923–1994) was an influential abstract painter known for his vibrant, color-drenched canvases. Associated with Abstract Expressionism and Lyrical Abstraction, his work often featured dynamic splashes and drips, exploring light, space, and movement with a global artistic perspective.
Sam Francis was an American painter whose breakthrough into America came with his participation in the exhibition of, Twelve Americans in the New York Museum of Modern Art in 1956. During this time of Sam's life his style changed from monochrome compositions to colorful. Sam Francis was initially influenced by the abstract expressionists and later became associated with second generation abstract expressionists. Sam Francis spent the 1950's in Paris and it was there his first exhibition was held at the Galerie Nina Dausset. His art while there was influenced by his exposure to French modern painting, Asian culture and Zen Buddhism. During the 50's, Sam's art would evolve through a series of stages from monochromatic abstractions to richly colored murals. Sam Francis's calligraphic characteristic of applying color with lyrical properties of liquid paint are referred to as, Asian art. He traveled the world with these pieces visiting: Japan, Thailand and India showing the painting at exhibitions in Tokyo and Osaka. He then went on to develop a personal style of spontaneous and gestic drippings. Sam created his art by applying acrylic, oil and watercolors to the image by using revolving and splashing motions. Sam Francis then changed his technique again in the 1970's by covering his surfaces with a net-like structure, and again when he began to use lithography, etching and monotype. He created some expressive compositions while experimenting in the 1980's by partially running colors. With this style Sam received some large commissions for mural work. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.