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Original aquatint/monoprint printed in 7 colors from 3 runs from 3 steel-faced copper plates, with pure permanent powdered pigment added to the plate prior to printing the third run. Artist's proof, one of 4 (overall edition of 25), apart from the numbered edition of 18, annotated in pencil lower left. Published by The Litho Shop, Inc., Santa Monica; printed by Jacob Samuel at The Litho Shop, September–October 1989. Sheet size: 76.2 x 70.5 cm (30 x 27 3/4 in) Image size: 50.2 x 45.1 cm (19 3/4 x 17 3/4 in) Frame size: 87.6 x 81.3 x 3.8 cm (34 1/2 x 32 x 1 1/2 in)// Untitled (SFE-071) is a resplendent aquatint and monoprint that exemplifies Sam Francis's mastery of colour as a vehicle for spiritual energy. A commanding red mass occupies the centre of the composition, its saturated intensity set ablaze by explosive splatters of yellow, green, blue, and black that radiate outward with centrifugal force. The addition of pure permanent powdered pigment directly to the plate creates a surface texture of exceptional luminosity, each impression in the edition of eighteen possessing unique chromatic variations that make it a hybrid between print and painting. This late work captures the full exuberance of Francis's Pacific-light palette and his unwavering commitment to colour as the primary language of art.
Untitled (SFE-071), 1989
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193.5 x 179.1 cm
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Details
Artist
Styles
Original aquatint/monoprint printed in 7 colors from 3 runs from 3 steel-faced copper plates, with pure permanent powdered pigment added to the plate prior to printing the third run. Artist's proof, one of 4 (overall edition of 25), apart from the numbered edition of 18, annotated in pencil lower left. Published by The Litho Shop, Inc., Santa Monica; printed by Jacob Samuel at The Litho Shop, September–October 1989. Sheet size: 76.2 x 70.5 cm (30 x 27 3/4 in) Image size: 50.2 x 45.1 cm (19 3/4 x 17 3/4 in) Frame size: 87.6 x 81.3 x 3.8 cm (34 1/2 x 32 x 1 1/2 in)// Untitled (SFE-071) is a resplendent aquatint and monoprint that exemplifies Sam Francis's mastery of colour as a vehicle for spiritual energy. A commanding red mass occupies the centre of the composition, its saturated intensity set ablaze by explosive splatters of yellow, green, blue, and black that radiate outward with centrifugal force. The addition of pure permanent powdered pigment directly to the plate creates a surface texture of exceptional luminosity, each impression in the edition of eighteen possessing unique chromatic variations that make it a hybrid between print and painting. This late work captures the full exuberance of Francis's Pacific-light palette and his unwavering commitment to colour as the primary language of art.
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Sam Francis
Untitled (from The Fresh Air School Portfolio), 1972
Limited Edition Print
Lithograph
EUR 1,850
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
