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Lithograph printed in colors, on wove paper. Signed in pencil and numbered, with the blindstamp of the printer. Sam Francis’s Untitled (SF-358) (1993) is a vibrant lithograph that exemplifies his dynamic abstract expressionist style. Exploding with energy, the composition features gestural splashes, drips, and pools of vivid color—red, blue, yellow, and green—layered over a white background. The expressive, rhythmic marks suggest spontaneity and movement, hallmarks of Francis’s late-period work. Printed in an edition of 50 with additional artist’s proofs, the print is hand-signed and bears the printer’s blindstamp.
Untitled (SF-358), 1993
form
Medium
Size
116 x 76 cm
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Price
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Details
Artist
Styles
Lithograph printed in colors, on wove paper. Signed in pencil and numbered, with the blindstamp of the printer. Sam Francis’s Untitled (SF-358) (1993) is a vibrant lithograph that exemplifies his dynamic abstract expressionist style. Exploding with energy, the composition features gestural splashes, drips, and pools of vivid color—red, blue, yellow, and green—layered over a white background. The expressive, rhythmic marks suggest spontaneity and movement, hallmarks of Francis’s late-period work. Printed in an edition of 50 with additional artist’s proofs, the print is hand-signed and bears the printer’s blindstamp.
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Sam Francis
Untitled (from The Fresh Air School Portfolio), 1972
Limited Edition Print
Lithograph
EUR 1,850
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
