Sam Francis – Untitled (SF-272), 1984 – Lithograph

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From Eight by Eight to Celebrate the Temporary Contemporary.

Color lithograph on Rives BFK paper.

Signed and numbered in pencil.

Published by the Museum of Contemporary Art, Los Angeles; printed by the Litho Shop, Inc., Santa Monica.

Literature: Lembark L263; SF-272.

'Untitled (SF-272)' by Sam Francis is a lithograph from 1984, measuring 106.7 × 73 cm. A thick black sweep cuts diagonally across the upper composition, anchored by a vertical purple band that drives downward through the sheet's centre — together they form a loose cross-like armature against an otherwise open white ground. Red blobs, yellow accents, green and blue pooled marks, and dense multicolour spatter fill the remaining space, varying in scale from broad splashed forms to fine pinpoint dots. Francis came to prominence following his inclusion in MoMA's 1956 exhibition 'Twelve Americans', the period that marked his move away from monochromatic work toward the saturated, light-charged colour that defines his mature practice. This 1984 lithograph translates that painterly energy into print, with the medium's layered inks preserving the velocity and directional force of each gesture.

Sam Francis (USA, 1923–1994) was an influential abstract painter known for his vibrant, color-drenched canvases. Associated with Abstract Expressionism and Lyrical Abstraction, his work often featured dynamic splashes and drips, exploring light, space, and movement with a global artistic perspective.

Sam Francis

Untitled (SF-272), 1984

Form

Limited Edition Print

Limited Edition PrintA limited edition print is one of a number of prints made at the same time from one printmaking plate. A fixed number are made and signed by the artist, indicating the printing order, using the format 1/10, meaning first of ten prints.

Medium

Lithograph

LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.

Edition

Edition of 250 + 30 AP

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From Eight by Eight to Celebrate the Temporary Contemporary.

Color lithograph on Rives BFK paper.

Signed and numbered in pencil.

Published by the Museum of Contemporary Art, Los Angeles; printed by the Litho Shop, Inc., Santa Monica.

Literature: Lembark L263; SF-272.

Sam Francis

Untitled (SF-272), 1984

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Inquire For Price

Sam Francis

Untitled (SF78-1010), 1978

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Untitled (SF82-263), 1982

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Sam Francis

Vert Francaise, 1963

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Sam Francis

Island Plate, 1973

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Sam Francis

Untitled (SFE-071), 1989

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Untitled (SFE-013), 1984

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USD 11,600

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And Pink (SF-143), 1973

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Sam Francis

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EUR 7,500 – 10,000

Sam Francis

Untitled (from the Fresh Air School portfolio), 1972

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Mehrfarbige Spirale, 1970

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Sam Francis

Untitled (SFE-021), 1984

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USD 5,250

Sam Francis

Untitled (from Portfolio 9), 1967

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Sam Francis

Untitled, 1988

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Sam Francis

Untitled (SF-358), 1993

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EUR 8,000

Sam Francis

Private Listing

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request info

Sam Francis

Spring Solution, 1972

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Sam Francis

Self Portrait (SF-051), 1976

Limited Edition Print

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Sam Francis

Untitled (SF-345), 1991

Limited Edition Print

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USD 20,000 – 25,000

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Private Listing

Drawing / Watercolor

request info

Sam Francis

Untitled (SFE-029), 1983

Limited Edition Print

Aquatint

USD 14,400

Sam Francis

Untitled (SFE-014), 1984

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USD 12,900

Sam Francis

Untitled (SFE-072), 1989

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Mixed Media

USD 9,600

Sam Francis

Dark Cup (SF-141), 1973

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USD 6,700

Sam Francis

Untitled (SF-356), 1992

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USD 14,400

Sam Francis

Untitled (SFE-073RC), 1973

Limited Edition Print

Etching and Aquatint

USD 7,800

Sam Francis

In, On and Of paper, #1, 1977

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USD 32,000 – 36,000

Sam Francis

Web (SFS-136), 1972

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USD 23,000

Sam Francis

Untitled (SF-315), 1986

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USD 8,500

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Untitled from the Papierski Portfolio, 1992

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Metal Line, 1971

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Sam Francis was an American painter whose breakthrough into America came with his participation in the exhibition of, Twelve Americans in the New York Museum of Modern Art in 1956. During this time of Sam's life his style changed from monochrome compositions to colorful. Sam Francis was initially influenced by the abstract expressionists and later became associated with second generation abstract expressionists. Sam Francis spent the 1950's in Paris and it was there his first exhibition was held at the Galerie Nina Dausset. His art while there was influenced by his exposure to French modern painting, Asian culture and Zen Buddhism. During the 50's, Sam's art would evolve through a series of stages from monochromatic abstractions to richly colored murals. Sam Francis's calligraphic characteristic of applying color with lyrical properties of liquid paint are referred to as, Asian art. He traveled the world with these pieces visiting: Japan, Thailand and India showing the painting at exhibitions in Tokyo and Osaka. He then went on to develop a personal style of spontaneous and gestic drippings. Sam created his art by applying acrylic, oil and watercolors to the image by using revolving and splashing motions. Sam Francis then changed his technique again in the 1970's by covering his surfaces with a net-like structure, and again when he began to use lithography, etching and monotype. He created some expressive compositions while experimenting in the 1980's by partially running colors. With this style Sam received some large commissions for mural work. (Artist website)

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Sam Francis

Untitled (SF-272), 1984

106.68 x 73.03 cm

Sam Francis

Untitled (SF-272), 1984

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Biography

Bio

Untitled (SF-272), 1984

Untitled (SF78-1010), 1978

Untitled (SF82-263), 1982

Vert Francaise, 1963

Island Plate, 1973

Untitled (SFE-071), 1989

Untitled (SFE-013), 1984

Untitled Red (American Foundation), 1992

And Pink (SF-143), 1973

Another Footprint, 1971

Untitled (SF-329) (L. L278), 1988

Untitled (from the Fresh Air School portfolio), 1972

Mehrfarbige Spirale, 1970

Untitled (SFE-021), 1984

Untitled (from Portfolio 9), 1967

Untitled, 1988

Untitled (SF-358), 1993

Private Listing

Spring Solution, 1972

Self Portrait (SF-051), 1976

Untitled (SF-345), 1991

Private Listing

Untitled (SFE-029), 1983

Untitled (SFE-014), 1984

Untitled (SFE-072), 1989

Dark Cup (SF-141), 1973

Untitled (SF-356), 1992

Untitled (SFE-073RC), 1973

In, On and Of paper, #1, 1977

Web (SFS-136), 1972

Untitled (SF-315), 1986

Untitled from the Papierski Portfolio, 1992

Metal Line, 1971

SFE 079, 1992

Beauty Walk, 1960

Lover Loved (...), 1960

Red Again (S(...), 1972

Salmon, 1973

Happy Death (...), 1960

SFS-332, 1988

Bright Jade (...), 1963

For the Blue(...), 1990

Blue Cut Sai(...), 1969

For thirteen, 1989

Veiled Sail, 1969

The upper Re(...), 1963

Papierski, 1973-84

SF343

Vegetable I (...), 1971

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