
Lithograph on PTI #120 Waterleaf paper with deckled edges.
Hand-signed, and numbered in pencil.
'Untitled (SF-329)' by Sam Francis is a lithograph measuring 114.3 × 71.1 cm, produced in 1988. A large, sweeping red form dominates the upper half of the white sheet, its gestural mass built from overlapping strokes and splattered marks in crimson and dark burgundy. Below it, interlocking blue and purple shapes curl across the lower field, their edges dispersing into cascades of multicoloured droplets — yellow, green, magenta, and black — that scatter to the margins. Francis came to international attention through the 1956 Twelve Americans exhibition at MoMA, a period that marked his decisive shift away from near-monochrome compositions toward the saturated, light-flooded colour that defines his mature work. By 1988 he had long established lithography as a primary rather than supplementary practice, and the medium here retains the spontaneous energy of paint while distributing colour across the sheet with the precision the matrix demands.
Untitled (SF-329), 1988
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Lithograph on PTI #120 Waterleaf paper with deckled edges.
Hand-signed, and numbered in pencil.
'Untitled (SF-329)' by Sam Francis is a lithograph measuring 114.3 × 71.1 cm, produced in 1988. A large, sweeping red form dominates the upper half of the white sheet, its gestural mass built from overlapping strokes and splattered marks in crimson and dark burgundy. Below it, interlocking blue and purple shapes curl across the lower field, their edges dispersing into cascades of multicoloured droplets — yellow, green, magenta, and black — that scatter to the margins. Francis came to international attention through the 1956 Twelve Americans exhibition at MoMA, a period that marked his decisive shift away from near-monochrome compositions toward the saturated, light-flooded colour that defines his mature work. By 1988 he had long established lithography as a primary rather than supplementary practice, and the medium here retains the spontaneous energy of paint while distributing colour across the sheet with the precision the matrix demands.
Sam Francis
Untitled (from the Fresh Air School portfolio), 1972
Limited Edition Print
Lithograph
EUR 1,850
Sam Francis
Private Listing
Drawing / Watercolor
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Sam Francis
Private Listing
Drawing / Watercolor
request info
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.

Sam Francis
Untitled (SF-329), 1988
114.3 x 71.1 cm








































