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Bronze gilded violin // Violon Spiralé by Arman Fernandez, created between 2001 and 2002, is a striking bronze sculpture that exemplifies the artist’s fascination with musical instruments and their deconstruction. The sculpture features a violin that has been disassembled and reassembled in a spiraled, abstract form. The bronze material is gilded, enhancing the piece's elegance and giving it a reflective, luxurious finish. Mounted on a black base, the artwork captures movement and fluidity, as if the instrument is in the process of transforming or unfolding. This piece continues Arman’s exploration of accumulation and fragmentation, transforming everyday objects into sculptural art forms that challenge perception and evoke curiosity.
Violon Spiralé, 2001-2002
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76 x 20 X 15 cm
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Details
Artist
Styles
Bronze gilded violin // Violon Spiralé by Arman Fernandez, created between 2001 and 2002, is a striking bronze sculpture that exemplifies the artist’s fascination with musical instruments and their deconstruction. The sculpture features a violin that has been disassembled and reassembled in a spiraled, abstract form. The bronze material is gilded, enhancing the piece's elegance and giving it a reflective, luxurious finish. Mounted on a black base, the artwork captures movement and fluidity, as if the instrument is in the process of transforming or unfolding. This piece continues Arman’s exploration of accumulation and fragmentation, transforming everyday objects into sculptural art forms that challenge perception and evoke curiosity.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
