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Silk-screen on paper // Untitled (Allegro Vivaldi) by Arman Fernandez, created in 1978, is a limited edition silkscreen print that captures the dynamic energy of music through abstract expression. The composition features overlapping and fragmented violins, creating a sense of movement and rhythm. The use of bold black outlines, combined with splashes of purple and gold, enhances the visual impact and evokes the intensity and vibrancy of Vivaldi’s music. Arman’s technique of repetition and fragmentation is prominent, reflecting his fascination with musical instruments and their forms. The print’s energetic composition invites viewers to experience the auditory sensations of the piece visually.
Untitled (Allegro Vivaldi), 1978
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100 x 65 cm
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Details
Artist
Styles
Silk-screen on paper // Untitled (Allegro Vivaldi) by Arman Fernandez, created in 1978, is a limited edition silkscreen print that captures the dynamic energy of music through abstract expression. The composition features overlapping and fragmented violins, creating a sense of movement and rhythm. The use of bold black outlines, combined with splashes of purple and gold, enhances the visual impact and evokes the intensity and vibrancy of Vivaldi’s music. Arman’s technique of repetition and fragmentation is prominent, reflecting his fascination with musical instruments and their forms. The print’s energetic composition invites viewers to experience the auditory sensations of the piece visually.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.