Sam Francis

Untitled, 1984

106.7 X 73 inch

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Grey Mood Variation

Arman Romanticism in Gold screenprint with gold and orange strokes on black featuring fragmented violin forms.

Signed, dated and numbered to lower edge. Printed by Studio Heinrici, New York and published by Jackie Fine Arts, New York. Recorded in the Arman Studio Archives New York under number: APA# 1002.78.006 Arman’s Romanticism in Gold (1978) is a screenprint in colors that reflects his fascination with the fragmented energy of musical instruments. Bold gold and fiery orange strokes burst against a deep black background, creating an impression of motion and sound made visible. The violin-like shapes emerge through layers of splattered pigment, suggesting both destruction and celebration of classical form. Produced in an edition of 150 by Studio Heinrici and published by Jackie Fine Arts in New York, the work exemplifies Arman’s Nouveau Réalisme approach, where he deconstructed everyday objects—here, musical instruments—to reveal their expressive potential.

Artwork Copyright © Fernandez Arman

Romanticism in Gold, 1978

form

Medium

Edition

Signed, dated and numbered to lower edge. Printed by Studio Heinrici, New York and published by Jackie Fine Arts, New York. Recorded in the Arman Studio Archives New York under number: APA# 1002.78.006 Arman’s Romanticism in Gold (1978) is a screenprint in colors that reflects his fascination with the fragmented energy of musical instruments. Bold gold and fiery orange strokes burst against a deep black background, creating an impression of motion and sound made visible. The violin-like shapes emerge through layers of splattered pigment, suggesting both destruction and celebration of classical form. Produced in an edition of 150 by Studio Heinrici and published by Jackie Fine Arts in New York, the work exemplifies Arman’s Nouveau Réalisme approach, where he deconstructed everyday objects—here, musical instruments—to reveal their expressive potential.

Artwork Copyright © Fernandez Arman

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Also known as Dadaism, Dada was a literary and artistic movement that began in 1916 in Zurich, Switzerland. It emerged as a rejection of rationalism and nationalism, which were seen as contributing factors to World War I. The movement had political undertones and was strongly anti-war. Dada activities included demonstrations, gatherings, and the publication of literary and art journals that explored cultural and political topics.

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