Sam Francis

Untitled, 1984

106.7 X 73 inch

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Aesculapius hammer

Arman Grey Mood Variation screenprint with gestural blue, orange, and brown violin forms layered over a grey background

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Artist

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Signed, dated and numbered to lower edge; Artist's stamp to verso. Printed by Studio Heinrici, New York and published by Jackie Fine Arts, New York. Recorded in the Arman Studio Archives New York under number: APA# 1002.78.003. Grey Mood Variation (1977) by Arman is a vibrant screenprint that captures the expressive energy of musical instruments—specifically violins—rendered in abstract, gestural forms. Bold sweeps of orange, deep blue, brown, and olive green contrast against a grey background, evoking movement and rhythm. Measuring 76 × 55?cm, the work is signed, dated, and numbered in an edition of 150, printed by Studio Heinrici and published by Jackie Fine Arts in New York. Arman's technique of repetition and accumulation is evident here, transforming familiar objects into dynamic visual patterns. Part of the Nouveau Réalisme movement, this piece exemplifies Arman’s fascination with deconstructing and recontextualizing everyday forms, particularly musical instruments.

Artwork Copyright © Fernandez Arman

Fernandez Arman

Grey Mood Variation, 1977

form

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Size

76 x 55   cm
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  • Centimeters

Edition

Price

Details

Artist

Styles

Signed, dated and numbered to lower edge; Artist's stamp to verso. Printed by Studio Heinrici, New York and published by Jackie Fine Arts, New York. Recorded in the Arman Studio Archives New York under number: APA# 1002.78.003. Grey Mood Variation (1977) by Arman is a vibrant screenprint that captures the expressive energy of musical instruments—specifically violins—rendered in abstract, gestural forms. Bold sweeps of orange, deep blue, brown, and olive green contrast against a grey background, evoking movement and rhythm. Measuring 76 × 55?cm, the work is signed, dated, and numbered in an edition of 150, printed by Studio Heinrici and published by Jackie Fine Arts in New York. Arman's technique of repetition and accumulation is evident here, transforming familiar objects into dynamic visual patterns. Part of the Nouveau Réalisme movement, this piece exemplifies Arman’s fascination with deconstructing and recontextualizing everyday forms, particularly musical instruments.

Artwork Copyright © Fernandez Arman
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Sculpture / Object

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Fernandez Arman

Romanticism In Gold, 1978

Limited Edition Print

Screen-print

Inquire For Price

Arman Grey Mood Variation screenprint with gestural blue, orange, and brown violin forms layered over a grey background

Fernandez Arman

Grey Mood Variation, 1977

Limited Edition Print

Screen-print

Inquire For Price

Arman Fernandez’s 'Aesculapius Hammer' 1977 lithograph of multiple overlapping black, blue, and green hammers arranged in a fan-like pattern.

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Aesculapius Hammer, 1977

Limited Edition Print

Lithograph

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Limited Edition Print

Lithograph

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Limited Edition Print

Lithograph

EUR 640

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Limited Edition Print

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Fernandez Arman

Boom Boom, 1966

Limited Edition Print

Screen-print

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Arman Fernandez Shortened Trip sculpture featuring an embedded handbag painted in gold, partially flattened against a canvas.

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Limited Edition Print

Silkscreen

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Limited Edition Print

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Limited Edition Print

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Sculpture / Object

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Bronze sculpture Venus au Violon by Arman Fernandez, showing Venus figure intertwined with a violin, on a marble base.

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What is Art Nucleare?
Artwork by Enrico Baj

What is Art Nucleare?

Arte Nucleare was the name of an artist group founded in Milan in 1951. The group aimed to create art that responded to the dangers and technologies of the nuclear age. Their works often utilized automatic techniques and depicted devastated landscapes and mushroom clouds, reflecting the anxieties of a world on the brink of nuclear catastrophe.

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