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// Accumulation, Tee by Arman Fernandez, created in 1994, is a mixed media sculpture that reflects the artist’s fascination with accumulation and repetition. This piece features a transparent rectangular structure filled with a vibrant array of multicolored plastic tees, primarily in red, blue, orange, and white. The random arrangement of the tees creates a dynamic and chaotic visual effect, emphasizing the concept of mass production and consumption, themes often explored in Arman’s work. Mounted on a black base, the sculpture invites viewers to consider the aesthetics of everyday objects when presented in large quantities, transforming mundane items into a vibrant and engaging composition.
Accumulation, Tee, 1994
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48 x 21.5 X 10 cm
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// Accumulation, Tee by Arman Fernandez, created in 1994, is a mixed media sculpture that reflects the artist’s fascination with accumulation and repetition. This piece features a transparent rectangular structure filled with a vibrant array of multicolored plastic tees, primarily in red, blue, orange, and white. The random arrangement of the tees creates a dynamic and chaotic visual effect, emphasizing the concept of mass production and consumption, themes often explored in Arman’s work. Mounted on a black base, the sculpture invites viewers to consider the aesthetics of everyday objects when presented in large quantities, transforming mundane items into a vibrant and engaging composition.
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Sculpture / Object
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
