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Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper // White Shirt (Vincent 2) by Alex Katz, created in 2021, is a limited edition pigment print measuring 66 x 38 cm. Rendered with archival pigment ink on fine art paper, the piece captures Katz's refined aesthetic and mastery of portraiture. The composition features a male figure, Vincent, dressed in a crisp white shirt, exuding a casual yet sophisticated presence. Katz’s characteristic minimalism shines through in the simplified lines and subtle gradations, adding depth and dimension to the subject's facial features and clothing. The intimate size of the print invites the viewer to closely engage with the subject’s expression, appreciating the artist’s ability to convey elegance and character with restraint and precision.
White Shirt (Vincent 2) , 2021
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66 x 38 cm
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Details
Artist
Styles
Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper // White Shirt (Vincent 2) by Alex Katz, created in 2021, is a limited edition pigment print measuring 66 x 38 cm. Rendered with archival pigment ink on fine art paper, the piece captures Katz's refined aesthetic and mastery of portraiture. The composition features a male figure, Vincent, dressed in a crisp white shirt, exuding a casual yet sophisticated presence. Katz’s characteristic minimalism shines through in the simplified lines and subtle gradations, adding depth and dimension to the subject's facial features and clothing. The intimate size of the print invites the viewer to closely engage with the subject’s expression, appreciating the artist’s ability to convey elegance and character with restraint and precision.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.