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oil study of Black Brook IV. The artwork was exhibited at the Whitney Biennal // Study for Black Brook IV by Alex Katz is an oil painting on board created in 1989. The artwork, a study for a larger piece, captures a dark, abstract landscape with a stark contrast between the deep, shadowy areas and the hints of green foliage above. The loose, expressive brushstrokes and minimal detail suggest a focus on form and mood rather than a precise representation. The painting was exhibited at the Whitney Biennial, highlighting its importance within Katz's body of work and its role in exploring the interplay of light and shadow in natural environments.
Study for black brook IV, 1989
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40.5 x 32.2 cm
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Artist
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oil study of Black Brook IV. The artwork was exhibited at the Whitney Biennal // Study for Black Brook IV by Alex Katz is an oil painting on board created in 1989. The artwork, a study for a larger piece, captures a dark, abstract landscape with a stark contrast between the deep, shadowy areas and the hints of green foliage above. The loose, expressive brushstrokes and minimal detail suggest a focus on form and mood rather than a precise representation. The painting was exhibited at the Whitney Biennial, highlighting its importance within Katz's body of work and its role in exploring the interplay of light and shadow in natural environments.
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Alex Katz
Red Dogwood 2 From The Flowers Portfolio, 2021
Limited Edition Print
Archival Print
USD 17,750
Alex Katz
Red Dogwood 1 From Flowers Portfolio, 2021
Limited Edition Print
Archival Print
USD 17,750
Alex Katz
Vincent With Open Mouth, 1974
Limited Edition Print
Etching And Aquatint
Inquire For Price
Alex Katz
The Flowers Portfolio (7 Works), 2021
Limited Edition Print
Archival Print
USD 100,000 - 120,000
Alex Katz
Green Jacket (from Alex & Ada Portfolio), 1990
Limited Edition Print
Screen-print
USD 10,800
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
