What is Oil on Board?
Oil on board is a painting technique where oil paint is applied to either wood panels that have been sanded and primed or high-density cardboard covered with canvas. These surfaces offer the advantage of being more compact for storage compared to traditional stretched canvas on frames, while still providing a stable surface for painting.
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- Established
- Discoveries
ARTWORKS RELATED TO OIL ON BOARD
Alex Katz
Study for black brook IV, 1989
Painting
Oil on board
EUR 60,000 - 70,000
Massurrealism is a portmanteau word coined by American artist James Seehafer in 1992. He observed a trend among postmodern artists who blended themes and aesthetic styles with mass media, including elements of pop art. Massurrealism is a development of surrealism that emphasizes the technological effects on the imagery of contemporary surrealism. The key difference between massurrealism and surrealism is that the latter was founded in Europe at the beginning of the 20th century, while massurrealism is rooted in the influence of modern technology and media.
New Media Art is a genre that includes all artworks created using new technologies, such as computer graphics, digital art, virtual art, internet art, computer animation, video games, 3D printing, and robotics. This genre often explores themes related to mass media, telecommunications, and digital electronics. The methods for presenting New Media Art range from installations and performances to virtual and conceptual art
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to "reality" in art, often incorporating everyday objects and exploring the boundaries between art and life.
