
Details
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This screenprint in colors was created in 1995. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.). // Alex Katz’s Pas de Deux II is a striking 1995 screen print that captures an intimate, almost cinematic moment between two figures. Rendered with Katz’s signature minimalist style and vibrant flat colors, the image focuses on a couple locked in a quiet, romantic embrace. The man, dressed in a striped suit, and the woman, with her cap and sleek black coat, are portrayed with simplified features, emphasizing the emotional connection rather than fine details. Katz’s composition, with its large blocks of color and subtle interplay of light, highlights the elegance and timelessness of human affection. This limited edition print, hand-signed and numbered by the artist, showcases Katz's distinctive ability to convey mood and intimacy through restrained, yet evocative, forms.
Pas de Deux II, 1995
form
Medium
Size
91.4 x 50.8 cm
- Inches
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Edition
Price
Details
Artist
Styles
This screenprint in colors was created in 1995. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.). // Alex Katz’s Pas de Deux II is a striking 1995 screen print that captures an intimate, almost cinematic moment between two figures. Rendered with Katz’s signature minimalist style and vibrant flat colors, the image focuses on a couple locked in a quiet, romantic embrace. The man, dressed in a striped suit, and the woman, with her cap and sleek black coat, are portrayed with simplified features, emphasizing the emotional connection rather than fine details. Katz’s composition, with its large blocks of color and subtle interplay of light, highlights the elegance and timelessness of human affection. This limited edition print, hand-signed and numbered by the artist, showcases Katz's distinctive ability to convey mood and intimacy through restrained, yet evocative, forms.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.