
Details
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Published by Lococo Fine Art Publisher St. Louis Missouri; Original digital print on Crane Museo Max paper; Hand signed by Katz // Katryn by Alex Katz, created in 2017, is a digital print that captures Katz’s signature minimalist portrait style. Set against a stark black background, the figure of a woman, rendered in soft grayscale tones, stands out with her expressive smile and simple yet defined features. Katz uses minimal detail and clean lines to convey personality, focusing on the subject’s facial expression and hairstyle, which exude a sense of elegance and calm. The piece, printed on Crane Museo Max paper, highlights Katz’s ability to capture the essence of his subjects through subtlety and refined composition.
Katryn, 2017
form
Medium
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76.2 x 54.6 cm
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Edition
Price
Details
Artist
Styles
Published by Lococo Fine Art Publisher St. Louis Missouri; Original digital print on Crane Museo Max paper; Hand signed by Katz // Katryn by Alex Katz, created in 2017, is a digital print that captures Katz’s signature minimalist portrait style. Set against a stark black background, the figure of a woman, rendered in soft grayscale tones, stands out with her expressive smile and simple yet defined features. Katz uses minimal detail and clean lines to convey personality, focusing on the subject’s facial expression and hairstyle, which exude a sense of elegance and calm. The piece, printed on Crane Museo Max paper, highlights Katz’s ability to capture the essence of his subjects through subtlety and refined composition.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.