Details
Artist
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Color aquatint on Cartiere Magnani Corona 400 g paper - From the Al Mare series - Catalogue raisonné: Katz/Schröder 438 - Sheet: 20 x 23 1/2 inches (50,8 x 59,7cm). - Plate: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm). - Edition of: 50 num. Arabs and 20 num. Roman + 4 Artist's proofs - Hand signed and numbered by the artist on the front. // Alex Katz’s Harbor (2006) is a serene aquatint limited edition print that captures a minimalistic and tranquil scene. The artwork depicts two figures, possibly relaxing on a shoreline, gazing into a vast expanse of greenish water and sky. The figures' simplified forms and the soft, pastel color palette create a peaceful, contemplative atmosphere. Katz's signature flatness and minimal detail draw attention to the essence of the moment, evoking a sense of calm and introspection. The piece reflects his mastery in reducing visual elements to their simplest form while maintaining a captivating, serene mood.
Harbor, 2006
form
Medium
Size
50 x 59 cm
- Inches
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- USD
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Details
Artist
Styles
Color aquatint on Cartiere Magnani Corona 400 g paper - From the Al Mare series - Catalogue raisonné: Katz/Schröder 438 - Sheet: 20 x 23 1/2 inches (50,8 x 59,7cm). - Plate: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm). - Edition of: 50 num. Arabs and 20 num. Roman + 4 Artist's proofs - Hand signed and numbered by the artist on the front. // Alex Katz’s Harbor (2006) is a serene aquatint limited edition print that captures a minimalistic and tranquil scene. The artwork depicts two figures, possibly relaxing on a shoreline, gazing into a vast expanse of greenish water and sky. The figures' simplified forms and the soft, pastel color palette create a peaceful, contemplative atmosphere. Katz's signature flatness and minimal detail draw attention to the essence of the moment, evoking a sense of calm and introspection. The piece reflects his mastery in reducing visual elements to their simplest form while maintaining a captivating, serene mood.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
