Details
Artist
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Color aquatint on Cartiere Magnani Corona 400 g paper - From the Al Mare series - Catalogue raisonné: Katz/Schröder 438 - Sheet: 20 x 23 1/2 inches (50,8 x 59,7cm). - Plate: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm). - Edition of: 50 num. Arabs and 20 num. Roman + 4 Artist's proofs - Hand signed and numbered by the artist on the front. // Alex Katz’s Harbor (2006) is a serene aquatint limited edition print that captures a minimalistic and tranquil scene. The artwork depicts two figures, possibly relaxing on a shoreline, gazing into a vast expanse of greenish water and sky. The figures' simplified forms and the soft, pastel color palette create a peaceful, contemplative atmosphere. Katz's signature flatness and minimal detail draw attention to the essence of the moment, evoking a sense of calm and introspection. The piece reflects his mastery in reducing visual elements to their simplest form while maintaining a captivating, serene mood.
Harbor, 2006
form
Medium
Size
50 x 59 cm
- Inches
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- USD
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Details
Artist
Styles
Color aquatint on Cartiere Magnani Corona 400 g paper - From the Al Mare series - Catalogue raisonné: Katz/Schröder 438 - Sheet: 20 x 23 1/2 inches (50,8 x 59,7cm). - Plate: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm). - Edition of: 50 num. Arabs and 20 num. Roman + 4 Artist's proofs - Hand signed and numbered by the artist on the front. // Alex Katz’s Harbor (2006) is a serene aquatint limited edition print that captures a minimalistic and tranquil scene. The artwork depicts two figures, possibly relaxing on a shoreline, gazing into a vast expanse of greenish water and sky. The figures' simplified forms and the soft, pastel color palette create a peaceful, contemplative atmosphere. Katz's signature flatness and minimal detail draw attention to the essence of the moment, evoking a sense of calm and introspection. The piece reflects his mastery in reducing visual elements to their simplest form while maintaining a captivating, serene mood.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
