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Archival pigment inks on Crane Museo Max 365 gsm paper // Alex Katz's December (Ada) (2020) is an archival print that portrays a serene and intimate portrait of Ada, the artist’s long-time muse and wife. The artwork captures her face adorned with a cozy hat and scarf, set against a backdrop of softly falling snow. Katz’s minimalist and refined style is evident, as he uses flat planes of color and clean lines to create a sense of simplicity and elegance. The warm tones of Ada's skin contrast subtly with the cool hues of her winter attire and the surrounding snow, emphasizing her calm expression. The composition exudes a sense of quiet contemplation and warmth, characteristic of Katz's portrait work.
December (Ada), 2020
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29.2 x 24.1 cm
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Details
Artist
Styles
Archival pigment inks on Crane Museo Max 365 gsm paper // Alex Katz's December (Ada) (2020) is an archival print that portrays a serene and intimate portrait of Ada, the artist’s long-time muse and wife. The artwork captures her face adorned with a cozy hat and scarf, set against a backdrop of softly falling snow. Katz’s minimalist and refined style is evident, as he uses flat planes of color and clean lines to create a sense of simplicity and elegance. The warm tones of Ada's skin contrast subtly with the cool hues of her winter attire and the surrounding snow, emphasizing her calm expression. The composition exudes a sense of quiet contemplation and warmth, characteristic of Katz's portrait work.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.