Details
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Screenprint on Saunders Waterford 425gsm paper; signed and numbered in pencil - Edition of 60 // Alex Katz's Coca-Cola Girl 7 (2019) is a limited edition screen-print that features a cropped portrait of a blonde woman in a white swimsuit set against a vibrant red background. The work, part of an edition of 60, is printed on Saunders Waterford 425gsm paper and is signed and numbered by the artist in pencil. Katz's characteristic flat, bold style is evident in the clean lines and simplified forms that create a striking visual impact. The minimalistic approach emphasizes the elegance and modernity of the figure, while the vibrant red backdrop contrasts sharply with the pale skin and white swimsuit, capturing the viewer's attention and evoking a sense of summer leisure and pop culture.
Coca-Cola girl 7, 2019
form
Medium
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101.6 x 101 cm
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Details
Artist
Styles
Screenprint on Saunders Waterford 425gsm paper; signed and numbered in pencil - Edition of 60 // Alex Katz's Coca-Cola Girl 7 (2019) is a limited edition screen-print that features a cropped portrait of a blonde woman in a white swimsuit set against a vibrant red background. The work, part of an edition of 60, is printed on Saunders Waterford 425gsm paper and is signed and numbered by the artist in pencil. Katz's characteristic flat, bold style is evident in the clean lines and simplified forms that create a striking visual impact. The minimalistic approach emphasizes the elegance and modernity of the figure, while the vibrant red backdrop contrasts sharply with the pale skin and white swimsuit, capturing the viewer's attention and evoking a sense of summer leisure and pop culture.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
