
Details
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Cutout from shaped powder-coated aluminum, printed the same on each side with UV cured archival inks, clear coated, and mounted to 1/4 inch stainless steel base - Incised with the artist signature on top of base; stamped with edition number and artist & publisher copyright, base underside. // Alex Katz's Black Dress 5 (Ulla), created in 2018, is a mixed media sculpture crafted from powder-coated aluminum, printed on both sides with UV-cured archival inks and mounted on a stainless steel base. The full-length cutout captures a minimalist figure of a woman named Ulla, dressed in a simple black dress. The poised and elegant stance reflects Katz's distinctive flat, stylized aesthetic, focusing on form and silhouette rather than intricate detail. The artwork is incised with the artist's signature on the top of the base, while the edition number and copyright information are stamped on the underside, confirming its authenticity and collectible value.
Black Dress 5 (Ulla), 2018
form
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61 x 16.5 X 8 cm
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Details
Artist
Styles
Cutout from shaped powder-coated aluminum, printed the same on each side with UV cured archival inks, clear coated, and mounted to 1/4 inch stainless steel base - Incised with the artist signature on top of base; stamped with edition number and artist & publisher copyright, base underside. // Alex Katz's Black Dress 5 (Ulla), created in 2018, is a mixed media sculpture crafted from powder-coated aluminum, printed on both sides with UV-cured archival inks and mounted on a stainless steel base. The full-length cutout captures a minimalist figure of a woman named Ulla, dressed in a simple black dress. The poised and elegant stance reflects Katz's distinctive flat, stylized aesthetic, focusing on form and silhouette rather than intricate detail. The artwork is incised with the artist's signature on the top of the base, while the edition number and copyright information are stamped on the underside, confirming its authenticity and collectible value.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.