
Details
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Archival pigment print on fine art paper - Hand-signed and numbered in pencil // Alex Katz's Autumn 4 (2023) is an archival pigment print that captures the essence of the fall season. The composition features slender, abstracted tree branches set against a vibrant blue background, with scattered red, orange, and yellow leaves floating through the scene. The minimalist style and bold use of color are hallmarks of Katz's approach, emphasizing simplicity and the fleeting beauty of nature. The print is hand-signed and numbered in pencil, adding a personal touch to this limited edition of 75, which enhances its value as a collectible piece.
Autumn 4, 2023
form
Medium
Size
168 x 91 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Archival pigment print on fine art paper - Hand-signed and numbered in pencil // Alex Katz's Autumn 4 (2023) is an archival pigment print that captures the essence of the fall season. The composition features slender, abstracted tree branches set against a vibrant blue background, with scattered red, orange, and yellow leaves floating through the scene. The minimalist style and bold use of color are hallmarks of Katz's approach, emphasizing simplicity and the fleeting beauty of nature. The print is hand-signed and numbered in pencil, adding a personal touch to this limited edition of 75, which enhances its value as a collectible piece.
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What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.