// John Baldessari's The Intersection Series: Person on Horse and Person Falling from Horse, with Audience (2001-2002) is a compelling C-print that explores themes of action, observation, and fragmented narrative. This artwork juxtaposes scenes of two riders—one seated on a horse and the other mid-fall—with colorful close-up images of an audience observing or reacting. The combination of black-and-white and color elements creates a striking visual contrast that draws attention to the intersections between spectator and spectacle, presence and absence. Baldessari’s composition invites viewers to consider the relationships between the depicted figures, sparking curiosity about the narrative connections and the ambiguous moment captured. Known for his innovative approach, Baldessari uses this series to blur the lines between cinematic stills and conceptual photography.
John Baldessari (USA, 1931–2020) was a conceptual art pioneer whose work humorously blended text, photography, and painting to challenge traditional art boundaries. Known for his iconic use of dots over faces and playful juxtapositions, Baldessari’s art critiqued cultural norms and visual language. His legacy as a teacher and artist continues to inspire contemporary practices.
C-printA C-type print, also known as a chromogenic print, is a photographic print made from a color negative or slide. The print is created on chromogenic paper, which contains three emulsion layers, each sensitized to a different primary color. After exposure, the paper is processed in a series of chemical baths, where each layer reacts to the chemicals to produce the final image. C-type prints are known for their rich color depth and are widely used in fine art and commercial photography.
// John Baldessari's The Intersection Series: Person on Horse and Person Falling from Horse, with Audience (2001-2002) is a compelling C-print that explores themes of action, observation, and fragmented narrative. This artwork juxtaposes scenes of two riders—one seated on a horse and the other mid-fall—with colorful close-up images of an audience observing or reacting. The combination of black-and-white and color elements creates a striking visual contrast that draws attention to the intersections between spectator and spectacle, presence and absence. Baldessari’s composition invites viewers to consider the relationships between the depicted figures, sparking curiosity about the narrative connections and the ambiguous moment captured. Known for his innovative approach, Baldessari uses this series to blur the lines between cinematic stills and conceptual photography.
John Baldessari (USA, 1931–2020) was a conceptual art pioneer whose work humorously blended text, photography, and painting to challenge traditional art boundaries. Known for his iconic use of dots over faces and playful juxtapositions, Baldessari’s art critiqued cultural norms and visual language. His legacy as a teacher and artist continues to inspire contemporary practices.
I will not make any more boring art.
- John Baldessari
John Baldessari is an American visionary artist. He began as a painter and then began to bring texts and photography into his work. He has also worked in printmaking, installation, sculpture, film, video and photography. John Baldessari has created thousands of pieces that show images with associative power of words. He has been featured in more than 200 solo exhibitions in the United States and Europe. John Baldessari's earlier works were merely words painted on canvas. His most famous "text" painting was the phrase, "Suppose it is true after all? WHAT THEN?" This phrase was painted on a heavily soiled canvas and was personally disappointing to him. He decided since the finished work did not have the form or method to go with the language he had meant to display; he would not use his hand to create the words, but a more commercial lifeless style. He then employed the use of sign painters to physically create the letters in an un-ornamental font. John's intent and statement with his art was to present it as hollow and ridiculous. This form of John Baldessari’s art was destroyed by himself and five friends when they burnt all of the paintings. The ashes were then placed into an urn in the form of cookies. John Baldessari then began to blend photographic material by taking them apart and putting them out of context into a new form and often added words to them. One of his images that has been said to violate basic rules on snapshot composition shows him standing in front of a palm tree. Baldessari is positioned to make it appear as though the tree is growing from his head. Another of his images called, California Map Project creates physical forms to resemble letters in California and placed where they would appear on a printed map. Many of his work involve pointing as he tells the viewer what to look at and how to make selections and compare.
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.