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Publisher's blind stamp in the lower left corner // Semiha by Victor Vasarely is a silkscreen print from 1979, showcasing his expertise in Op Art and geometric abstraction. The work features two adjacent panels filled with hexagonal shapes that seem to warp and bend, creating a sense of three-dimensional depth and optical illusion. The use of bright colors—pink, blue, green, and red—juxtaposed against black and darker hues enhances the perception of movement and spatial transformation. Vasarely’s meticulous arrangement of shapes and colors causes the viewer’s eye to oscillate between the two halves of the composition, generating a dynamic visual experience. The publisher's blind stamp is visible in the lower left corner, attesting to the work's authenticity. This print exemplifies Vasarely’s ability to engage the viewer’s perception through the manipulation of color and form, characteristic of his Op Art movement legacy.
Semiha, 1979
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70 x 108.5 cm
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Publisher's blind stamp in the lower left corner // Semiha by Victor Vasarely is a silkscreen print from 1979, showcasing his expertise in Op Art and geometric abstraction. The work features two adjacent panels filled with hexagonal shapes that seem to warp and bend, creating a sense of three-dimensional depth and optical illusion. The use of bright colors—pink, blue, green, and red—juxtaposed against black and darker hues enhances the perception of movement and spatial transformation. Vasarely’s meticulous arrangement of shapes and colors causes the viewer’s eye to oscillate between the two halves of the composition, generating a dynamic visual experience. The publisher's blind stamp is visible in the lower left corner, attesting to the work's authenticity. This print exemplifies Vasarely’s ability to engage the viewer’s perception through the manipulation of color and form, characteristic of his Op Art movement legacy.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
