Original Lithograph in black on gold and silver
- Suite: Happy Meeting
- Hand Signed In Pencil Lower Right
Karel Appel's The Woman with Golden Eye (1974) is a striking lithograph that combines his signature abstract expressionism with surreal elements. The artwork, part of the Happy Meeting suite, is printed in black on a reflective gold and silver background, creating a contrast that enhances its bold and dynamic forms. The image depicts a fantastical, abstract figure with exaggerated features and a singular golden eye that captures attention. Appel’s loose, energetic lines and expressive style evoke a sense of movement and spontaneity, inviting viewers to interpret the surreal composition. The hand-signed piece is a testament to Appel’s playful and unconventional approach to visual storytelling.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Original Lithograph in black on gold and silver
- Suite: Happy Meeting
- Hand Signed In Pencil Lower Right
Karel Appel's The Woman with Golden Eye (1974) is a striking lithograph that combines his signature abstract expressionism with surreal elements. The artwork, part of the Happy Meeting suite, is printed in black on a reflective gold and silver background, creating a contrast that enhances its bold and dynamic forms. The image depicts a fantastical, abstract figure with exaggerated features and a singular golden eye that captures attention. Appel’s loose, energetic lines and expressive style evoke a sense of movement and spontaneity, inviting viewers to interpret the surreal composition. The hand-signed piece is a testament to Appel’s playful and unconventional approach to visual storytelling.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
Karel Appel studied at the Royal Academy of Fine Arts in Amsterdam. His first solo exhibition took place in 1946 in Groningen. In the years following the end of World War Two he developed his own unique style of art, using found objects and pieces of timber in assemblages and other artworks. His earliest themes were associated with imagery of childhood, often featuring grotesque humans, monsters and animal forms. He was one of the founders of the Dutch Experimental Group in 1948, along with Guillaume Corneille and Constant Nieuwenhuys. All three artists left Amsterdam and moved to Paris, where they joined with Belgian and Danish artists to form the Cobra international art group.
Figuration Libre is an art movement that is equivalent to the French Bad Painting and Neo-Expressionism in Europe and America. The term was coined by Ben Vautier and the Fluxus movement. In 1981, Robert Combas, François Boisrond, Hervé Di Rosa, and Rémi Blanchard formed the Figuration Libre group. The term can be interpreted as free style art, emphasizing spontaneity, freedom, and a rejection of traditional artistic conventions.