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// Como el Viento by Karel Appel, created in 1988, is an expressive etching and aquatint that embodies movement and energy, much like the title suggests, translating to Like the Wind. The composition features a series of abstract, gestural lines and shapes in bold black, orange, and hints of red, set against a light pink background. The chaotic, sweeping lines suggest figures or forms in motion, capturing a fleeting moment with a sense of spontaneity and fluidity. Appel, a founding member of the COBRA movement, is known for his raw, emotive style, and in this piece, he conveys a sense of freedom and intensity, reminiscent of wind’s unpredictable path. Measuring 76 cm by 55 cm, this limited edition print invites viewers to interpret its forms, evoking themes of vitality, nature’s force, and dynamic movement.
Como el Viento, 1988
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Details
Artist
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// Como el Viento by Karel Appel, created in 1988, is an expressive etching and aquatint that embodies movement and energy, much like the title suggests, translating to Like the Wind. The composition features a series of abstract, gestural lines and shapes in bold black, orange, and hints of red, set against a light pink background. The chaotic, sweeping lines suggest figures or forms in motion, capturing a fleeting moment with a sense of spontaneity and fluidity. Appel, a founding member of the COBRA movement, is known for his raw, emotive style, and in this piece, he conveys a sense of freedom and intensity, reminiscent of wind’s unpredictable path. Measuring 76 cm by 55 cm, this limited edition print invites viewers to interpret its forms, evoking themes of vitality, nature’s force, and dynamic movement.
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What is Figuration Libre?
Figuration Libre is an art movement that is equivalent to the French Bad Painting and Neo-Expressionism in Europe and America. The term was coined by Ben Vautier and the Fluxus movement. In 1981, Robert Combas, François Boisrond, Hervé Di Rosa, and Rémi Blanchard formed the Figuration Libre group. The term can be interpreted as free style art, emphasizing spontaneity, freedom, and a rejection of traditional artistic conventions.
