Colour woodcut -Suite: Karel Appel Circus portfolio -Suite of Karel Appel Circus portfolio -Hand signed and numbered by Appel
Karel Appel’s Plus malin et plus débile que nous (1978) is a whimsical and vividly colored woodcut from his Circus portfolio. This limited edition print captures Appel’s playful and expressionistic style, featuring a joyful figure holding a flower atop a brightly adorned, surreal animal. The bold blues, reds, and yellows create a vibrant contrast, and the exaggerated facial features lend the characters a lively, almost mischievous personality. Appel’s use of simple, childlike shapes and intense colors reflects his interest in primal expression and a raw, uninhibited view of humanity. Hand-signed and numbered, this piece is a testament to Appel’s unique approach to art, blending humor and emotional intensity in a dynamic, folk-art-inspired composition.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
WoodcutWoodcut is a printing technique where an image is carved into the surface of a woodblock using gouges, with the remaining flat surface holding the ink for printing. The areas cut away by the artist do not carry ink, while the uncut areas do, producing the desired print. The carving follows the wood's grain, unlike wood engraving, where the block is cut across the end-grain. Ink is applied to the surface with a roller, ensuring only the flat, uncarved areas receive ink, leaving the recessed, non-printing areas clean.
Colour woodcut -Suite: Karel Appel Circus portfolio -Suite of Karel Appel Circus portfolio -Hand signed and numbered by Appel
Karel Appel’s Plus malin et plus débile que nous (1978) is a whimsical and vividly colored woodcut from his Circus portfolio. This limited edition print captures Appel’s playful and expressionistic style, featuring a joyful figure holding a flower atop a brightly adorned, surreal animal. The bold blues, reds, and yellows create a vibrant contrast, and the exaggerated facial features lend the characters a lively, almost mischievous personality. Appel’s use of simple, childlike shapes and intense colors reflects his interest in primal expression and a raw, uninhibited view of humanity. Hand-signed and numbered, this piece is a testament to Appel’s unique approach to art, blending humor and emotional intensity in a dynamic, folk-art-inspired composition.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
Karel Appel studied at the Royal Academy of Fine Arts in Amsterdam. His first solo exhibition took place in 1946 in Groningen. In the years following the end of World War Two he developed his own unique style of art, using found objects and pieces of timber in assemblages and other artworks. His earliest themes were associated with imagery of childhood, often featuring grotesque humans, monsters and animal forms. He was one of the founders of the Dutch Experimental Group in 1948, along with Guillaume Corneille and Constant Nieuwenhuys. All three artists left Amsterdam and moved to Paris, where they joined with Belgian and Danish artists to form the Cobra international art group.
Tachisme is a French abstract painting style that gained popularity between 1940 and 1950, often seen as the European counterpart to Abstract Expressionism. However, there are stylistic differences between the two. Tachisme, which emerged from Art Informel, rejected geometric abstraction in favor of more intuitive and spontaneous expression. It was a reaction against the structured forms of Cubism and is closely related to Informalism. Tachisme emphasizes gestural brushwork, irregular forms, and a focus on the process of painting itself.