Original Painted Wood -Hand Signed and Dated by Appel
Karel Appel's Flower with Blue Eyes (1977) is a playful and vibrant painted wood sculpture that showcases his signature abstract expressionist style. This piece, hand-signed and dated by Appel, features exaggerated shapes and bold, lively colors, including rich blues, greens, reds, and yellows. The composition, which appears to be a fusion of floral and anthropomorphic forms, includes a prominent flower-like shape with large blue eyes, giving it a whimsical and surreal quality. Appel's use of thick, irregularly cut wood pieces layered together creates depth and texture, enhancing the sculpture’s energetic and spontaneous feel. This work exemplifies Appel's fascination with color and form, transforming simple shapes into an exuberant, dynamic composition.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
WoodWood is one of the most ancient and versatile materials used in creating art. It has served as a base for paintings, brush handles, pens, and pencils, as well as for easels, wood engraving, woodcut, woodblock printing, and sculpting. Various types of wood, such as oak, maple, and pine, are commonly used in these artistic applications.
Original Painted Wood -Hand Signed and Dated by Appel
Karel Appel's Flower with Blue Eyes (1977) is a playful and vibrant painted wood sculpture that showcases his signature abstract expressionist style. This piece, hand-signed and dated by Appel, features exaggerated shapes and bold, lively colors, including rich blues, greens, reds, and yellows. The composition, which appears to be a fusion of floral and anthropomorphic forms, includes a prominent flower-like shape with large blue eyes, giving it a whimsical and surreal quality. Appel's use of thick, irregularly cut wood pieces layered together creates depth and texture, enhancing the sculpture’s energetic and spontaneous feel. This work exemplifies Appel's fascination with color and form, transforming simple shapes into an exuberant, dynamic composition.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
Karel Appel studied at the Royal Academy of Fine Arts in Amsterdam. His first solo exhibition took place in 1946 in Groningen. In the years following the end of World War Two he developed his own unique style of art, using found objects and pieces of timber in assemblages and other artworks. His earliest themes were associated with imagery of childhood, often featuring grotesque humans, monsters and animal forms. He was one of the founders of the Dutch Experimental Group in 1948, along with Guillaume Corneille and Constant Nieuwenhuys. All three artists left Amsterdam and moved to Paris, where they joined with Belgian and Danish artists to form the Cobra international art group.
Figuration Libre is an art movement that is equivalent to the French Bad Painting and Neo-Expressionism in Europe and America. The term was coined by Ben Vautier and the Fluxus movement. In 1981, Robert Combas, François Boisrond, Hervé Di Rosa, and Rémi Blanchard formed the Figuration Libre group. The term can be interpreted as free style art, emphasizing spontaneity, freedom, and a rejection of traditional artistic conventions.