Original lithograph in colors on paper
- Printed by Atelier Dumas, New York
- Published by London Arts, Inc., Detroit.
Karel Appel's Two Figures (c. 1980) is a vibrant lithograph that exemplifies the artist’s bold, expressionist style. Known for his involvement in the CoBrA movement, Appel employs vivid, contrasting colors and energetic brushstrokes in this piece, which appears to depict two abstracted human-like figures. The figures are rendered in a swirl of reds, blues, greens, and yellows, with thick black outlines adding structure to the composition. The energetic application of color gives the work a sense of dynamism and movement, while the loose forms suggest an emotional intensity rather than representational accuracy. Printed by Atelier Dumas in New York and published by London Arts, Inc. in Detroit, this limited edition lithograph reflects Appel’s fascination with the raw, primal aspects of art, emphasizing emotion and spontaneity over precision.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Original lithograph in colors on paper
- Printed by Atelier Dumas, New York
- Published by London Arts, Inc., Detroit.
Karel Appel's Two Figures (c. 1980) is a vibrant lithograph that exemplifies the artist’s bold, expressionist style. Known for his involvement in the CoBrA movement, Appel employs vivid, contrasting colors and energetic brushstrokes in this piece, which appears to depict two abstracted human-like figures. The figures are rendered in a swirl of reds, blues, greens, and yellows, with thick black outlines adding structure to the composition. The energetic application of color gives the work a sense of dynamism and movement, while the loose forms suggest an emotional intensity rather than representational accuracy. Printed by Atelier Dumas in New York and published by London Arts, Inc. in Detroit, this limited edition lithograph reflects Appel’s fascination with the raw, primal aspects of art, emphasizing emotion and spontaneity over precision.
Karel Appel (Netherlands, 1921–2006) was a co-founder of the CoBrA movement, known for his expressive, colorful paintings and sculptures. Inspired by childlike spontaneity and raw emotion, Appel used bold brushstrokes and vibrant colors to challenge conventional art forms. His works, celebrated worldwide, reflect his belief in the primal power of creativity and imagination.
Karel Appel studied at the Royal Academy of Fine Arts in Amsterdam. His first solo exhibition took place in 1946 in Groningen. In the years following the end of World War Two he developed his own unique style of art, using found objects and pieces of timber in assemblages and other artworks. His earliest themes were associated with imagery of childhood, often featuring grotesque humans, monsters and animal forms. He was one of the founders of the Dutch Experimental Group in 1948, along with Guillaume Corneille and Constant Nieuwenhuys. All three artists left Amsterdam and moved to Paris, where they joined with Belgian and Danish artists to form the Cobra international art group.
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.