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Original Lithograph in black on gold and silver - Suite: Happy Meeting - Hand Signed In Pencil Lower Right // Karel Appel's The Woman with Golden Eye (1974) is a striking lithograph that combines his signature abstract expressionism with surreal elements. The artwork, part of the Happy Meeting suite, is printed in black on a reflective gold and silver background, creating a contrast that enhances its bold and dynamic forms. The image depicts a fantastical, abstract figure with exaggerated features and a singular golden eye that captures attention. Appel’s loose, energetic lines and expressive style evoke a sense of movement and spontaneity, inviting viewers to interpret the surreal composition. The hand-signed piece is a testament to Appel’s playful and unconventional approach to visual storytelling.
The Woman with Golden Eye, 1974
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66 x 48.9 cm
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Details
Artist
Styles
Original Lithograph in black on gold and silver - Suite: Happy Meeting - Hand Signed In Pencil Lower Right // Karel Appel's The Woman with Golden Eye (1974) is a striking lithograph that combines his signature abstract expressionism with surreal elements. The artwork, part of the Happy Meeting suite, is printed in black on a reflective gold and silver background, creating a contrast that enhances its bold and dynamic forms. The image depicts a fantastical, abstract figure with exaggerated features and a singular golden eye that captures attention. Appel’s loose, energetic lines and expressive style evoke a sense of movement and spontaneity, inviting viewers to interpret the surreal composition. The hand-signed piece is a testament to Appel’s playful and unconventional approach to visual storytelling.
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What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
