



Details
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Painted wood sculpture; From the very rare limited edition Suite of Circus; Signed and numbered in the base // Jumping Dog II by Karel Appel, created in 1978, is a vibrant painted wood sculpture featuring a playful, stylized dog leaping through a colorful hoop. Part of the limited edition Suite of Circus, this piece embodies Appel’s signature blend of expressionism and childlike imagination, with bold colors and exaggerated forms. The dog, rendered in red with expressive blue eyes, appears mid-leap, capturing a dynamic sense of movement and joy. The surrounding hoop, decorated with blocks of purple, teal, and white, adds a whimsical framing element, enhancing the sculpture’s lively and joyful energy. This piece exemplifies Appel's exploration of innocence and spontaneity in art.
Jumping dog II, 1978
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Medium
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40 x 25 cm
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Details
Artist
Styles
Painted wood sculpture; From the very rare limited edition Suite of Circus; Signed and numbered in the base // Jumping Dog II by Karel Appel, created in 1978, is a vibrant painted wood sculpture featuring a playful, stylized dog leaping through a colorful hoop. Part of the limited edition Suite of Circus, this piece embodies Appel’s signature blend of expressionism and childlike imagination, with bold colors and exaggerated forms. The dog, rendered in red with expressive blue eyes, appears mid-leap, capturing a dynamic sense of movement and joy. The surrounding hoop, decorated with blocks of purple, teal, and white, adds a whimsical framing element, enhancing the sculpture’s lively and joyful energy. This piece exemplifies Appel's exploration of innocence and spontaneity in art.
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Karel Appel
The Clown With The Golden Tears, 1978
Limited Edition Print
Etching And Aquatint
USD 2,000
Karel Appel
Plus Malin Et Plus Debile Que Nous, 1978
Limited Edition Print
Woodcut
Currently Not Available
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.