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This printed photograph by Wolfgang Volz was created in 2005 and is hand-signed by Christo in pencil. One of 300 hand-signed prints from an unnumbered edition // This photograph, titled The Gates: Project for Central Park, NYC, captures Christo and Jeanne-Claude's celebrated 2005 installation in Central Park, documented by Wolfgang Volz and hand-signed by Christo. The image showcases rows of vibrant orange fabric gates positioned along the park's winding pathways, contrasting against the stark winter landscape and the iconic New York City skyline in the background. The installation's bold color stands out vividly amid bare trees and snow-covered grounds, creating an immersive visual experience that blends nature, urban life, and art. This limited-edition print, from a series of 300, encapsulates the temporary yet transformative impact of Christo and Jeanne-Claude’s work on public space.
The Gates: Project for Central Park, NYC, 2005
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51 x 76 cm
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This printed photograph by Wolfgang Volz was created in 2005 and is hand-signed by Christo in pencil. One of 300 hand-signed prints from an unnumbered edition // This photograph, titled The Gates: Project for Central Park, NYC, captures Christo and Jeanne-Claude's celebrated 2005 installation in Central Park, documented by Wolfgang Volz and hand-signed by Christo. The image showcases rows of vibrant orange fabric gates positioned along the park's winding pathways, contrasting against the stark winter landscape and the iconic New York City skyline in the background. The installation's bold color stands out vividly amid bare trees and snow-covered grounds, creating an immersive visual experience that blends nature, urban life, and art. This limited-edition print, from a series of 300, encapsulates the temporary yet transformative impact of Christo and Jeanne-Claude’s work on public space.
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Currently Not Available
What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
